1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:16,804 --> 00:02:19,072 First man: SHOULD WE SAY THE WORDS ONE LAST TIME? 4 00:02:19,072 --> 00:02:20,374 ONE CANNOT LIVE FULLY 5 00:02:20,374 --> 00:02:23,611 WITHOUT EMBRACING SUICIDE AND CRIME. 6 00:02:23,611 --> 00:02:25,279 SAY IT. 7 00:02:25,279 --> 00:02:27,548 Second man: A PACT MADE WITH RELENTLESS FIRE 8 00:02:27,548 --> 00:02:32,052 THAT REQUIRES THAT WHILE SOME LIVE, OTHERS DIE. 9 00:02:32,052 --> 00:02:33,487 ON 3. 10 00:02:33,487 --> 00:02:34,488 ONE... 11 00:02:37,558 --> 00:02:38,826 2... 12 00:02:40,994 --> 00:02:41,995 3. 13 00:02:41,995 --> 00:02:43,564 [GUNSHOT] 14 00:02:44,632 --> 00:02:48,469 EACH OF US HAS WITHIN US A WEAK ASPECT, 15 00:02:48,469 --> 00:02:49,670 EAGER TO GIVE UP FREEDOM 16 00:02:49,670 --> 00:02:51,739 FOR THE COMFORT OF BEING DOMINATED, 17 00:02:51,739 --> 00:02:53,441 BUT WE ALSO HAVE A WILL TO POWER 18 00:02:53,441 --> 00:02:55,276 THAT DESIRES FREEDOM, 19 00:02:55,276 --> 00:02:57,511 THAT INSISTS ON DECIDING FOR OURSELVES, 20 00:02:57,511 --> 00:03:00,514 EACH OF US, INDIVIDUALLY, 21 00:03:00,514 --> 00:03:04,184 WHAT IS GOOD AND WHAT IS EVIL. 22 00:03:06,787 --> 00:03:08,389 ARE THERE ANY QUESTIONS? 23 00:03:13,327 --> 00:03:14,328 DOESN'T ANYONE WANNA CHALLENGE 24 00:03:14,328 --> 00:03:16,664 JUSTIN'S THESIS? 25 00:03:16,664 --> 00:03:18,131 ARE YOU ALL WILLING TO SUBMIT 26 00:03:18,131 --> 00:03:19,132 TO THIS DARWINIAN STRUGGLE 27 00:03:19,132 --> 00:03:20,868 OF COMPETING EVILS? 28 00:03:20,868 --> 00:03:22,236 I GOT A QUESTION. 29 00:03:22,236 --> 00:03:23,404 Teacher: AH, MR. HAYWOOD, 30 00:03:23,404 --> 00:03:24,405 YOU'RE AWAKE. 31 00:03:24,405 --> 00:03:25,406 [CLASS CHUCKLES] 32 00:03:25,406 --> 00:03:27,107 LET'S HEAR IT. 33 00:03:27,107 --> 00:03:29,743 UH, YEAH. WHAT'S A DORK LIKE YOU 34 00:03:29,743 --> 00:03:30,611 KNOW ABOUT POWER? 35 00:03:30,611 --> 00:03:32,380 WHAT WOULD AN IGNORAMUS LIKE YOU 36 00:03:32,380 --> 00:03:33,581 KNOW ABOUT PHILOSOPHY? 37 00:03:33,581 --> 00:03:37,017 Teacher: KEEP IT CIVIL, PLEASE. 38 00:03:37,017 --> 00:03:38,018 WHAT ARE YOU TALKING ABOUT? 39 00:03:38,018 --> 00:03:40,020 ARE YOU TALKING ABOUT CRIME? 40 00:03:40,020 --> 00:03:41,188 Teacher: GOOD QUESTION. 41 00:03:41,188 --> 00:03:42,323 YOU SHOULD WAKE UP MORE OFTEN, HAYWOOD. 42 00:03:42,323 --> 00:03:43,557 WHAT ABOUT IT, JUSTIN? 43 00:03:43,557 --> 00:03:45,359 Justin: ALL REAL FREEDOM RISKS CRIME. 44 00:03:45,359 --> 00:03:47,160 INDEED, FREEDOM IS CRIME 45 00:03:47,160 --> 00:03:48,562 BECAUSE IT THINKS FIRST OF ITSELF 46 00:03:48,562 --> 00:03:50,030 AND NOT OF THE GROUP. 47 00:03:50,030 --> 00:03:52,032 THANK YOU, JUSTIN. 48 00:03:52,032 --> 00:03:53,033 VERY DARING. 49 00:03:53,033 --> 00:03:54,034 THANK YOU. 50 00:03:54,034 --> 00:03:56,970 [ALL LAUGH] 51 00:03:56,970 --> 00:03:58,606 Teacher: FOR THOSE OF YOU WHO ARE INTERESTED 52 00:03:58,606 --> 00:04:01,141 IN THE SOURCE OF MR. PENDLETON'S REPORT, 53 00:04:01,141 --> 00:04:02,175 MIGHT WANNA TAKE A LOOK AT THE WORKS 54 00:04:02,175 --> 00:04:03,377 OF FRIEDRICH NIETZSCHE. 55 00:04:03,377 --> 00:04:05,212 YOU REALLY NEED TO GET LAID, BONAPARTE. 56 00:04:05,212 --> 00:04:06,914 Teacher: BY LOOKING AT BOOK ONE OF 57 00:04:06,914 --> 00:04:08,916 THUS SPAKE ZARATHUSTRA. 58 00:04:19,927 --> 00:04:20,928 [GASPS] 59 00:04:20,928 --> 00:04:22,563 HEY, JUSTIN. 60 00:04:27,335 --> 00:04:28,902 REMEMBER ME? 61 00:04:28,902 --> 00:04:29,903 WHAT DO YOU WANT? 62 00:04:29,903 --> 00:04:31,605 [COCKS GUN] 63 00:04:31,605 --> 00:04:32,806 I WANNA BLOW YOUR BRAINS OUT... 64 00:04:34,808 --> 00:04:37,945 AND I'M GONNA MAKE IT LOOK LIKE A SUICIDE. 65 00:04:37,945 --> 00:04:39,680 EVERYONE WILL BELIEVE IT, 66 00:04:39,680 --> 00:04:41,349 'CAUSE IF THEY WERE YOU, THEY'D KILL THEMSELVES, TOO. 67 00:04:41,349 --> 00:04:43,517 MMM, YOU WON'T GET AWAY WITH IT. 68 00:04:43,517 --> 00:04:44,585 YOUR SHOE PRINTS, FIRST OF ALL, 69 00:04:44,585 --> 00:04:45,586 ARE A VERY UNIQUE PATTERN. 70 00:04:45,586 --> 00:04:46,587 THEY'D BE TRACED BACK TO YOU 71 00:04:46,587 --> 00:04:47,855 IN A MATTER OF DAYS. 72 00:04:47,855 --> 00:04:51,158 THE FIBERS ON YOUR SHIRT ARE ALL OVER ME NOW. 73 00:04:51,158 --> 00:04:53,126 YOUR HAIR, TOO. 74 00:04:53,126 --> 00:04:55,028 IT'S CALLED TRANSFERENCE. 75 00:04:59,733 --> 00:05:06,474 AND MORE IMPORTANTLY, YOUR FINGERPRINTS ON MY NECK... 76 00:05:06,474 --> 00:05:08,376 WHERE YOU TOUCHED ME. 77 00:05:11,845 --> 00:05:13,246 YOU CAN'T GET FINGERPRINTS OFF OF SKIN. 78 00:05:13,246 --> 00:05:14,515 YEAH, YOU CAN. WITH A MAGNA BRUSH 79 00:05:14,515 --> 00:05:15,783 OR A FINGERPRINT CHEM 80 00:05:15,783 --> 00:05:20,153 OR AN IODINE GUN AND SILVER TRANSFER SHEETS. 81 00:05:20,153 --> 00:05:22,255 BELIEVE ME, RICHARD, YOU DON'T HAVE THE DISCIPLINE 82 00:05:22,255 --> 00:05:24,758 TO COMMIT A MURDER AND GET AWAY WITH IT. 83 00:05:24,758 --> 00:05:26,660 IS THAT RIGHT? 84 00:05:28,128 --> 00:05:29,797 WELL, LET'S SEE. 85 00:05:34,167 --> 00:05:36,169 BANG! 86 00:05:36,169 --> 00:05:37,170 YOU'RE DEAD. 87 00:05:37,170 --> 00:05:39,206 [CHUCKLES] 88 00:05:39,206 --> 00:05:40,941 WHAT TOOK YOU SO LONG? 89 00:05:40,941 --> 00:05:42,810 DO YOU KNOW HOW LONG I'VE BEEN WAITING? 90 00:05:42,810 --> 00:05:46,246 NO. I HAVE SOMETHING BETTER. 91 00:05:46,246 --> 00:05:48,616 Richard: WHAT IS IT? 92 00:05:48,616 --> 00:05:51,419 ABSINTHE: WORMWOOD INFUSED ALCOHOL. 93 00:05:51,419 --> 00:05:53,421 THE MOLECULAR STRUCTURE IS ALMOST IDENTICAL 94 00:05:53,421 --> 00:05:56,023 TO TETRAHEDRAL CHLORINE. 95 00:05:56,023 --> 00:05:58,692 TO TETRA--TETRA WHAT? 96 00:05:58,692 --> 00:06:00,961 IT'S THE, UH, ACTIVE INGREDIENT IN MARIJUANA. 97 00:06:00,961 --> 00:06:03,030 MMM. 98 00:06:05,433 --> 00:06:07,200 WHERE'D YOU GET IT? 99 00:06:07,200 --> 00:06:08,335 POETS USED TO DRINK IT. 100 00:06:08,335 --> 00:06:09,670 THEY USED IT FOR INSPIRATION. 101 00:06:09,670 --> 00:06:12,440 IT'S BEEN ILLEGAL SINCE THE TURN OF THE CENTURY. 102 00:06:12,440 --> 00:06:13,707 EVEN BETTER. 103 00:06:16,577 --> 00:06:19,413 TO THE SYSTEMATIC DERANGEMENT OF OUR SENSES. 104 00:06:19,413 --> 00:06:21,148 OH, FORGET THE SENSES. 105 00:06:21,148 --> 00:06:23,951 LET'S DERANGE THE WORLD. 106 00:06:23,951 --> 00:06:25,653 [CLINK] WE WILL. 107 00:06:27,087 --> 00:06:28,956 WHEN? 108 00:06:30,924 --> 00:06:32,059 SOON. 109 00:06:38,599 --> 00:06:40,067 WHAT ABOUT TONIGHT? 110 00:06:42,302 --> 00:06:43,604 WHAT ABOUT RIGHT NOW? 111 00:06:43,604 --> 00:06:46,474 ACTUALLY, I HAVE, UM, A BIOLOGY EXPERIMENT... 112 00:06:46,474 --> 00:06:47,941 OH, FUCK YOUR BIOLOGY... 113 00:06:49,843 --> 00:06:51,812 YOU ALWAYS HAVE EXCUSES. YOU KNOW THAT? 114 00:06:54,414 --> 00:06:55,315 LET'S JUST FORGET IT. 115 00:06:55,315 --> 00:06:57,317 FORGET WHAT? 116 00:06:57,317 --> 00:06:58,385 WE'VE BEEN PLANNING THIS FOR MONTHS. 117 00:06:58,385 --> 00:07:01,522 I'M SICK OF PLANNING. 118 00:07:01,522 --> 00:07:03,524 THAT'S ALL IT IS WITH YOU. 119 00:07:03,524 --> 00:07:05,459 IT'S TALK AND PLANS AND DREAMS. 120 00:07:05,459 --> 00:07:07,461 YOU'RE A JERK-OFF. 121 00:07:07,461 --> 00:07:09,396 SO JERK OFF. 122 00:07:09,396 --> 00:07:12,099 RICHARD, WAIT. 123 00:07:18,405 --> 00:07:20,140 JUST BE PATIENT. 124 00:07:27,414 --> 00:07:29,950 Dispatcher on radio: WHAT'S YOUR STATUS? 125 00:07:38,659 --> 00:07:40,460 HERE COMES THE HYENA. 126 00:07:41,795 --> 00:07:43,964 HEY, WHY'D YOU TELL 'EM 127 00:07:43,964 --> 00:07:45,165 NOT TO LET ME INSIDE THE PERIMETER? 128 00:07:45,165 --> 00:07:46,299 DON'T GET PISSY ON ME. 129 00:07:46,299 --> 00:07:47,835 I TOLD THEM NOT TO LET ANYBODY IN. 130 00:07:47,835 --> 00:07:49,069 IT'S YOUR FIRST HOMICIDE. 131 00:07:49,069 --> 00:07:51,038 I DIDN'T WANT YOU STEPPIN' ON YOUR TONGUE. 132 00:07:57,044 --> 00:07:58,445 HERE, TAKE THIS. 133 00:07:58,445 --> 00:08:00,080 WHAT IS IT? 134 00:08:00,080 --> 00:08:01,582 A VERY IMPORTANT CRIME SCENE TOOL. 135 00:08:01,582 --> 00:08:03,817 HEY, BOYS, SNACK TIME. 136 00:08:03,817 --> 00:08:05,586 GET ONE OF THE UNIFORMS TO SET UP A STAGING AREA. 137 00:08:05,586 --> 00:08:06,987 THIS PLACE IS GONNA BE CRAWLING WITH PEOPLE 138 00:08:06,987 --> 00:08:08,856 THAT HAVE ABSOLUTELY NO BUSINESS BEING HERE, 139 00:08:08,856 --> 00:08:10,123 INCLUDING OUR REVERED CHIEF. 140 00:08:10,123 --> 00:08:12,125 ROD? YEAH, ROD. 141 00:08:12,125 --> 00:08:13,126 ROD IS NOT A COP. 142 00:08:13,126 --> 00:08:15,262 HEY, DARNELL, 143 00:08:15,262 --> 00:08:17,698 GET THE HELL OUT OF MY CRIME SCENE. COME ON. 144 00:08:20,200 --> 00:08:21,201 SORRY, CASSIE. 145 00:08:21,201 --> 00:08:22,636 ALL RIGHT. 146 00:08:22,636 --> 00:08:24,137 THERE'S ONLY ONE WAY INTO A CRIME SCENE. 147 00:08:24,137 --> 00:08:26,139 I WANT YOU TO PUT YOUR FOOT WHERE MINE GOES 148 00:08:26,139 --> 00:08:27,140 AND NOWHERE ELSE, OK? 149 00:08:27,140 --> 00:08:28,308 OK. 150 00:08:28,308 --> 00:08:29,509 READY? 151 00:08:36,516 --> 00:08:38,485 First man: HEY, ONE MORE. ONE MORE. 152 00:08:38,485 --> 00:08:39,753 Second man: COMING. 153 00:08:41,488 --> 00:08:43,090 YOU NEVER DID THIS IN VICE, DID YOU? 154 00:08:43,090 --> 00:08:45,492 UH, NO. 155 00:08:45,492 --> 00:08:47,795 RIGHT THERE. 156 00:08:47,795 --> 00:08:50,097 LOOKS LIKE SOME KIND OF BOOT. 157 00:09:02,009 --> 00:09:03,677 [FLIES BUZZING] 158 00:09:20,961 --> 00:09:23,396 WHAT'S THIS SMELL LIKE TO YOU? 159 00:09:23,396 --> 00:09:24,665 IT SMELLS LIKE VOMIT. 160 00:09:24,665 --> 00:09:25,899 THAT'S WHAT I THOUGHT. 161 00:09:25,899 --> 00:09:27,735 BAG SOME UP FOR THE LAB. 162 00:09:29,169 --> 00:09:30,570 UNH. 163 00:10:02,202 --> 00:10:03,704 OH. 164 00:10:11,478 --> 00:10:12,379 WHAT'S THE MATTER? 165 00:10:12,379 --> 00:10:13,814 NOTHING. 166 00:10:24,658 --> 00:10:26,493 NOTICE THE PETECHIAL HEMORRHAGING? 167 00:10:26,493 --> 00:10:27,695 SHE WAS STRANGLED. 168 00:10:27,695 --> 00:10:30,731 AH, FINGER SHAPED MARKS AROUND THE NECK. 169 00:10:31,899 --> 00:10:34,034 OH, LOOK AT THIS. 170 00:10:34,034 --> 00:10:36,336 A CLEAN CUT. 171 00:10:36,336 --> 00:10:37,337 A TROPHY? 172 00:10:37,337 --> 00:10:38,806 THAT WOULD BE MY GUESS. 173 00:10:38,806 --> 00:10:43,210 DEFENSIVE WOUNDS. SHE PUT UP A FIGHT. 174 00:10:43,210 --> 00:10:45,245 GOOD FOR YOU. 175 00:10:45,245 --> 00:10:46,146 WE'RE DEALING WITH 176 00:10:46,146 --> 00:10:47,748 A SECONDARY CRIME SCENE HERE. WHY? 177 00:10:47,748 --> 00:10:49,116 WELL, THIS HEAD WOUND WOULD PRODUCE 178 00:10:49,116 --> 00:10:50,751 EXTENSIVE AMOUNTS OF THICK BLOOD, 179 00:10:50,751 --> 00:10:52,385 BUT THERE'S VERY LITTLE HERE. 180 00:10:52,385 --> 00:10:55,055 WHAT DO YOU MAKE OF THESE? 181 00:10:55,055 --> 00:10:55,856 PIQUERISM? 182 00:10:55,856 --> 00:10:57,224 PRE OR POSTMORTEM? 183 00:10:57,224 --> 00:10:58,525 POST. NO BLOOD. 184 00:10:58,525 --> 00:11:00,828 AH. NOT BAD, VICE. 185 00:11:00,828 --> 00:11:01,829 PROBABLY DID REALLY WELL 186 00:11:01,829 --> 00:11:03,596 ON YOUR DETECTIVE'S EXAM. 187 00:11:03,596 --> 00:11:05,699 [SIGHS] ALL RIGHT. 188 00:11:05,699 --> 00:11:06,800 THE WIND IS PICKING UP. 189 00:11:06,800 --> 00:11:08,168 WE'RE GONNA START LOSING EVIDENCE. 190 00:11:08,168 --> 00:11:09,703 WE GOTTA HOLD ON TO EVERYTHING WE CAN GET. 191 00:11:09,703 --> 00:11:11,571 ANY IDEA WHO SHE IS? 192 00:11:11,571 --> 00:11:14,274 NO. NO CAR. NOBODY FOUND ANY ID. 193 00:11:14,274 --> 00:11:15,909 JANE DOE. 194 00:11:46,807 --> 00:11:48,308 Lisa: HEY, BONAPARTE. 195 00:11:54,514 --> 00:11:55,916 BONAPARTE, WHAT'S THE MATTER? 196 00:11:58,651 --> 00:11:59,920 Teacher: MS. MILLS. 197 00:12:03,090 --> 00:12:05,859 Teacher: ALL RIGHT. TIME'S UP. PUT YOUR PENS DOWN 198 00:12:05,859 --> 00:12:08,361 AND EXCHANGE YOUR TESTS WITH A NEIGHBOR. 199 00:12:08,361 --> 00:12:11,464 I DID HORRIBLE. 200 00:12:11,464 --> 00:12:17,070 NUMBER 20 IS C: BERT NORTON. 201 00:12:17,070 --> 00:12:19,406 I SUPPOSE YOU FIND IT FUNNY. 202 00:12:19,406 --> 00:12:20,874 WHAT? 203 00:12:22,475 --> 00:12:25,779 ME FLUNKING A POP QUIZ. 204 00:12:25,779 --> 00:12:27,414 YOU DIDN'T FLUNK. 205 00:12:27,414 --> 00:12:29,116 YOU GOT 19 OUT OF 20. 206 00:12:32,152 --> 00:12:33,353 Teacher: PLEASE PASS THE TESTS FORWARD. 207 00:12:37,190 --> 00:12:38,225 HEY. 208 00:12:39,292 --> 00:12:41,895 HEY, WAIT UP. I WANNA TALK TO YOU. 209 00:12:41,895 --> 00:12:43,496 WHY DID YOU DO THAT? 210 00:12:43,496 --> 00:12:44,631 I HAVE ULTERIOR MOTIVES. 211 00:12:44,631 --> 00:12:46,800 LIKE WHAT? 212 00:12:46,800 --> 00:12:47,901 I WANT YOU TO HELP ME PREP 213 00:12:47,901 --> 00:12:49,937 FOR MY PHYSICS MIDTERM. 214 00:12:49,937 --> 00:12:51,805 HEY, RED DUDE. HEY. 215 00:12:51,805 --> 00:12:52,806 WHY ME? 216 00:12:52,806 --> 00:12:55,675 BECAUSE YOU'RE A GENIUS, OK? 217 00:12:55,675 --> 00:12:57,677 OH. 218 00:12:57,677 --> 00:12:58,846 I LIVE AT 1108 CHANDLER. 219 00:12:58,846 --> 00:13:02,282 CAN YOU REMEMBER THAT? AROUND 5:00? 220 00:13:02,282 --> 00:13:04,517 YOU, UH... 221 00:13:04,517 --> 00:13:06,786 UM... 222 00:13:06,786 --> 00:13:08,856 HI, LISA. 223 00:13:10,323 --> 00:13:11,591 Sam: SO THIS FRIEND OF MINE-- 224 00:13:11,591 --> 00:13:12,525 Cassie: THIS IS IT. TURN RIGHT. 225 00:13:15,462 --> 00:13:16,396 IT'S RIGHT HERE. 226 00:13:16,396 --> 00:13:17,931 YOU LIVE IN A HOUSEBOAT. THAT'S NEAT. 227 00:13:17,931 --> 00:13:21,101 NEAT, INDEED. I LIKE IT OUT HERE. 228 00:13:21,101 --> 00:13:22,302 NOT TOO MANY PEOPLE. 229 00:13:22,302 --> 00:13:23,837 [HORN BLARES] 230 00:13:23,837 --> 00:13:25,805 THANKS FOR THE RIDE. SEE YOU TOMORROW. 231 00:13:30,343 --> 00:13:31,811 WHAT, ARE YOU GONNA SEE ME TO THE DOOR? 232 00:13:31,811 --> 00:13:33,780 OF COURSE. [CHUCKLES] 233 00:13:33,780 --> 00:13:35,582 SO YOU MADE DETECTIVE IN 4 YEARS? 234 00:13:35,582 --> 00:13:36,683 MM-HMM. 235 00:13:36,683 --> 00:13:38,118 YOU MUST BE SMARTER THAN YOU LOOK. 236 00:13:38,118 --> 00:13:39,452 THANK YOU VERY MUCH. 237 00:13:39,452 --> 00:13:43,590 IT'S ONLY GONNA GET WORSE, I WARN YOU. 238 00:13:43,590 --> 00:13:45,458 YOU BEEN TALKING TO THE BOYS? 239 00:13:45,458 --> 00:13:46,626 I'VE HEARD A FEW THINGS. 240 00:13:46,626 --> 00:13:49,229 YEAH? THEY TELL YOU WHY I WAS CALLED "THE HYENA?" 241 00:13:49,229 --> 00:13:51,231 NO, WHY? 242 00:13:51,231 --> 00:13:53,934 FEMALE HYENAS HAVE KIND OF A MOCK PENIS. 243 00:13:53,934 --> 00:13:55,802 DRAW YOUR OWN CONCLUSIONS. 244 00:13:55,802 --> 00:13:57,004 DOES THAT BOTHER YOU? 245 00:13:57,004 --> 00:13:59,472 NO. I JUST WEAR LOOSE-FITTING SLACKS. 246 00:13:59,472 --> 00:14:02,042 IT'S REALLY NOT A PROBLEM. 247 00:14:06,613 --> 00:14:07,948 SEE YA LATER. 248 00:14:19,026 --> 00:14:21,228 [SHERYL CROW'S ANYTHING BUT DOWN PLAYS] 249 00:14:34,074 --> 00:14:38,078 * I LIGHT YOUR CIGARETTE * 250 00:14:38,078 --> 00:14:41,982 * I BRING YOU APPLES FROM THE BARN * 251 00:14:41,982 --> 00:14:45,986 * HOW QUICKLY YOU FORGET * 252 00:14:45,986 --> 00:14:49,556 * I RUN THE BATH AND POUR THE WINE * 253 00:14:51,658 --> 00:14:52,892 * I BRING YOU... * 254 00:14:55,495 --> 00:14:56,796 [HEART BEATING LOUDLY] 255 00:14:56,796 --> 00:14:58,999 [WOMAN GASPING] 256 00:15:01,969 --> 00:15:03,436 NO PRINTS OFF THE GIRL'S SKIN. 257 00:15:03,436 --> 00:15:04,938 THE KILLER MUST HAVE BEEN WEARING GLOVES. 258 00:15:04,938 --> 00:15:06,573 WELL, THEN IT'S NOT A HUSBAND OR BOYFRIEND. 259 00:15:06,573 --> 00:15:08,208 WHY NOT? 260 00:15:08,208 --> 00:15:09,342 WELL, WHEN YOU KILL YOUR WIFE, 261 00:15:09,342 --> 00:15:10,610 YOU DON'T STOP TO PUT ON GLOVES. 262 00:15:10,610 --> 00:15:13,280 UNLESS YOU'VE PUT A LOT OF THOUGHT INTO IT. 263 00:15:13,280 --> 00:15:15,615 MISSING RING FINGER. WHAT'S THAT, A RITUAL? 264 00:15:15,615 --> 00:15:17,017 SERIAL KILLER? 265 00:15:17,017 --> 00:15:18,818 MAYBE A COMMENT ON MATRIMONY. 266 00:15:18,818 --> 00:15:20,587 THAT'S PROBABLY A NEGATIVE COMMENT. 267 00:15:20,587 --> 00:15:22,355 YOU THINK? HUH. 268 00:15:22,355 --> 00:15:23,490 MAYBE WE SHOULD INVESTIGATE 269 00:15:23,490 --> 00:15:25,225 EVERY BAD MARRIAGE IN THE COUNTY. 270 00:15:25,225 --> 00:15:26,960 WHY DON'T YOU GET ON IT? 271 00:15:26,960 --> 00:15:28,161 LET'S START WITH YOU. 272 00:15:28,161 --> 00:15:29,963 YOU EVER BEEN MARRIED? 273 00:15:29,963 --> 00:15:31,431 NOPE. 274 00:15:33,033 --> 00:15:34,234 WHAT'S THIS? 275 00:15:36,569 --> 00:15:38,205 THAT'S, UH, THAT'S AN OLD MURDER CASE 276 00:15:38,205 --> 00:15:39,672 I WAS INVOLVED IN. 277 00:15:39,672 --> 00:15:40,907 THE GUY'S UP FOR PAROLE, 278 00:15:40,907 --> 00:15:43,210 AND THEY WANT ME TO TESTIFY AT THE BOARD. 279 00:15:43,210 --> 00:15:44,978 SO WHAT DO WE HAVE ON OUR JANE DOE? 280 00:15:44,978 --> 00:15:47,547 I'VE BEEN CHECKING MISSING PERSONS NATIONWIDE. 281 00:15:47,547 --> 00:15:48,448 NOTHIN' YET. 282 00:15:48,448 --> 00:15:49,616 ALL RIGHT. WELL, RUN HER PRINTS 283 00:15:49,616 --> 00:15:50,984 AND GET AN ARTIST TO START HER SKETCH. 284 00:15:50,984 --> 00:15:52,385 OK. 285 00:15:55,922 --> 00:15:57,357 [DOORBELL RINGS] 286 00:15:57,357 --> 00:15:58,691 GOT IT, MOM. 287 00:15:58,691 --> 00:15:59,859 HEY, BONAPARTE. 288 00:15:59,859 --> 00:16:02,495 I DIDN'T THINK YOU WOULD SHOW. COME IN. 289 00:16:07,067 --> 00:16:09,869 WHO DID THESE? THEY'RE ACTUALLY QUITE GOOD. 290 00:16:09,869 --> 00:16:11,671 THANK YOU. 291 00:16:11,671 --> 00:16:12,672 YOU DID THEM? 292 00:16:12,672 --> 00:16:14,707 DON'T LOOK SO SURPRISED. 293 00:16:14,707 --> 00:16:17,010 I MODELED FOR THEM, TOO. 294 00:16:18,445 --> 00:16:21,081 BONAPARTE, YOU'RE BLUSHING. 295 00:16:21,081 --> 00:16:23,716 WHY DO YOU CALL ME THAT? 296 00:16:23,716 --> 00:16:27,687 YOU EVER TAKE ONE OF THOSE CAREER APTITUDE TESTS? 297 00:16:27,687 --> 00:16:28,955 NO. 298 00:16:28,955 --> 00:16:30,090 WELL, IF YOU EVER DID, 299 00:16:30,090 --> 00:16:31,258 I GUARANTEE THEY'D RECOMMEND 300 00:16:31,258 --> 00:16:33,393 THAT YOU PURSUE A CAREER AS A DICTATOR. 301 00:16:35,562 --> 00:16:37,297 WHY? 302 00:16:37,297 --> 00:16:40,200 WHO WOULD LISTEN TO ME? 303 00:16:40,200 --> 00:16:42,269 WHERE'S YOUR PHYSICS BOOK? 304 00:16:49,109 --> 00:16:52,245 [BIRD SQUAWKS] 305 00:16:53,980 --> 00:16:56,083 Richard: YOU'RE OVERFEEDING THAT THING. 306 00:16:56,083 --> 00:16:59,419 IT'S GONNA GET AS FAT AS YOU ARE. 307 00:16:59,419 --> 00:17:01,321 I SURE HOPE THIS IS BETTER 308 00:17:01,321 --> 00:17:03,723 THAN THAT OTHER STUFF YOU SOLD ME. 309 00:17:03,723 --> 00:17:04,657 IT'S THE KGB, RICHARD. 310 00:17:04,657 --> 00:17:07,127 YEAH, WELL, FOR 400 BUCKS AN OUNCE, 311 00:17:07,127 --> 00:17:08,528 IT HAD BETTER PUT ME ON THE MOON, RAY. 312 00:17:08,528 --> 00:17:11,698 YOU'LL BE TOTALLY SATISFIED. I GUARANTEE IT. 313 00:17:11,698 --> 00:17:12,532 MONEY BACK? 314 00:17:12,532 --> 00:17:16,469 COME ON. CAN'T WE CUT A DEAL? 315 00:17:16,469 --> 00:17:18,271 IF YOU DON'T WANT IT, DON'T TAKE IT, RICHIE. 316 00:17:18,271 --> 00:17:19,572 WELL, YOU KNOW, I WANT IT. 317 00:17:19,572 --> 00:17:20,907 RICHIE RICH. 318 00:17:20,907 --> 00:17:22,509 I HATE IT WHEN YOU CALL ME THAT. 319 00:17:22,509 --> 00:17:24,844 I'M CUTTIN' OFF ON YOU ALREADY, MAN. 320 00:17:24,844 --> 00:17:26,079 BRING ME A COUPLE 321 00:17:26,079 --> 00:17:28,648 OF THOSE PIGTAILED CHEERLEADERS OVER HERE, 322 00:17:28,648 --> 00:17:31,284 AND THEN I'LL GIVE IT TO YOU FOR FREE. 323 00:17:31,284 --> 00:17:33,453 WELL, HOW CAN I TRUST THAT? 324 00:17:33,453 --> 00:17:35,988 AH, AH. I LOVE THIS PART. [LAUGHS] 325 00:17:35,988 --> 00:17:37,124 LOOK AT THAT. 326 00:17:37,124 --> 00:17:39,025 [SIGHS] YEAH. 327 00:17:39,025 --> 00:17:40,026 SO CAN I JUST GET THE PRODUCT 328 00:17:40,026 --> 00:17:41,994 AND GET OUTTA HERE? 329 00:17:41,994 --> 00:17:44,431 CHECK THIS OUT. CHECK THIS OUT. 330 00:17:44,431 --> 00:17:45,365 COME ON. 331 00:17:45,365 --> 00:17:46,833 YOU'RE GETTIN' THE PRODUCT. HANG ON. 332 00:17:46,833 --> 00:17:49,369 [WHIP CRACKS, WOMAN SCREAMS] 333 00:17:49,369 --> 00:17:54,141 LISTEN TO HER. SHE LOVES IT. 334 00:17:54,141 --> 00:17:56,376 * OPEN THE DOOR * 335 00:17:59,179 --> 00:18:02,849 * AND SHOW ME YOUR FACE TONIGHT * 336 00:18:04,717 --> 00:18:06,553 * I KNOW IT'S TRUE * 337 00:18:06,553 --> 00:18:09,456 * NO ONE HEALS ME LIKE YOU * 338 00:18:09,456 --> 00:18:13,326 * AND YOU HOLD THE KEY * 339 00:18:14,794 --> 00:18:18,131 * NEVER AGAIN * 340 00:18:20,167 --> 00:18:23,503 * WOULD I TURN AWAY FROM YOU * 341 00:18:25,338 --> 00:18:28,040 * I'M SO HEAVY TONIGHT * 342 00:18:28,040 --> 00:18:31,144 * BUT YOUR LOVE IS ALL RIGHT * 343 00:18:31,144 --> 00:18:34,581 * AND I DO BELIEVE * 344 00:18:36,783 --> 00:18:39,352 * THAT NOT EVERYTHING IS GONNA BE * 345 00:18:39,352 --> 00:18:42,622 * THEY WAY YOU THINK IT OUGHTA BE * 346 00:18:42,622 --> 00:18:45,358 * SEEMS LIKE EVERY TIME I TRY TO MAKE IT RIGHT * 347 00:18:45,358 --> 00:18:47,827 * IT ALL COMES DOWN ON ME * 348 00:18:47,827 --> 00:18:48,828 * PLEASE SAY... * 349 00:18:48,828 --> 00:18:49,829 [MAN YELLING] 350 00:18:49,829 --> 00:18:51,831 [WOMAN GASPING] 351 00:18:57,604 --> 00:18:58,971 [GLASS BREAKS] 352 00:18:58,971 --> 00:19:00,707 * I SHALL BELIEVE * 353 00:19:00,707 --> 00:19:02,442 MMM. 354 00:19:09,148 --> 00:19:12,552 [FOG HORN BLOWS] 355 00:19:13,420 --> 00:19:16,523 Cassie: WE'VE GOT OUR JANE DOE. 356 00:19:16,523 --> 00:19:17,524 HER NAME WAS OLIVIA LAKE. 357 00:19:17,524 --> 00:19:18,525 SHE DIDN'T SHOW UP FOR WORK 358 00:19:18,525 --> 00:19:20,260 FRIDAY, SATURDAY, OR TODAY. 359 00:19:20,260 --> 00:19:23,263 HER SUPERVISOR FOUND THE PLACE LIKE THIS. 360 00:19:24,997 --> 00:19:26,799 SO... 361 00:19:26,799 --> 00:19:28,735 WHAT DO WE KNOW ABOUT THE SUPERVISOR? 362 00:19:28,735 --> 00:19:33,240 MMM. MARRIED, 2 KIDS, SOLID ALIBI. 363 00:19:35,608 --> 00:19:38,110 MAYBE--MAYBE SHE CAUGHT SOMEBODY 364 00:19:38,110 --> 00:19:40,580 IN THE MIDDLE OF A 459 AND HE PANICKED? 365 00:19:40,580 --> 00:19:43,283 YEAH, AND WHAT, TOOK THE BODY WITH HIM? 366 00:19:46,353 --> 00:19:48,288 Cassie: WHERE DID THESE MUD PRINTS COME FROM? 367 00:19:51,758 --> 00:19:53,760 THERE'S--THERE'S A PLANTING BED OUT HERE. 368 00:19:59,799 --> 00:20:01,501 LOOKS DRY AS A BONE. 369 00:20:01,501 --> 00:20:03,603 MAYBE YOU SHOULD WATER THE LAWN. 370 00:20:03,603 --> 00:20:05,338 MMM. 371 00:20:07,707 --> 00:20:09,576 Sam: WE GET A TIME OF DEATH FROM THE CORONER YET? 372 00:20:09,576 --> 00:20:12,745 BASED ON STOMACH CONTENT, LIVER TEMP AND RIGOR, 373 00:20:12,745 --> 00:20:16,215 SOMEWHERE BETWEEN 9:00 AND 10:00 THURSDAY NIGHT. 374 00:20:16,215 --> 00:20:17,684 HOW ABOUT 9:27? 375 00:20:17,684 --> 00:20:18,951 HMM? 376 00:20:22,389 --> 00:20:24,424 [BELL DINGS, KNOCK ON DOOR] 377 00:20:26,459 --> 00:20:28,160 CAN WE COME IN? 378 00:20:28,160 --> 00:20:30,229 LET THE GAMES BEGIN. 379 00:20:31,798 --> 00:20:32,799 HMM. 380 00:20:33,600 --> 00:20:36,836 SAM KENNEDY, AL SWANSON, 381 00:20:36,836 --> 00:20:39,205 NEW ASSISTANT D.A... 382 00:20:39,205 --> 00:20:40,473 AND FORMER MEMBER OF OUR DEPARTMENT. 383 00:20:40,473 --> 00:20:41,674 PLEASED TO MEET YOU, SAM. 384 00:20:41,674 --> 00:20:44,344 MS. MAYWEATHER, IT'S ALWAYS A PLEASURE. 385 00:20:44,344 --> 00:20:46,479 SO I HEARD YOU FINALLY PASSED THE BAR, AL. 386 00:20:46,479 --> 00:20:47,480 WHAT DID THEY DO, 387 00:20:47,480 --> 00:20:48,681 CHANGE IT TO TRUE OR FALSE? 388 00:20:48,681 --> 00:20:51,484 I SEE THE SCORPION HASN'T LOST HER STING. 389 00:20:51,484 --> 00:20:52,485 Cassie: WHAT ARE YOU DOING HERE? 390 00:20:52,485 --> 00:20:53,953 I JUST WANNA STAY INFORMED. 391 00:20:53,953 --> 00:20:55,755 REALLY? 392 00:20:55,755 --> 00:20:58,425 SAM, PLEASE KEEP HIM INFORMED. 393 00:21:04,230 --> 00:21:05,798 THANK YOU. 394 00:21:06,999 --> 00:21:08,601 SO WHAT HAVE WE GOT HERE? 395 00:21:10,370 --> 00:21:12,772 * PLEASE SAY HONESTLY * 396 00:21:12,772 --> 00:21:14,040 Man: SORRY. 397 00:21:14,040 --> 00:21:16,376 * YOU WON'T GIVE UP ON ME * 398 00:21:18,110 --> 00:21:20,780 * I SHALL BELIEVE * 399 00:21:22,749 --> 00:21:26,285 * I SHALL BELIEVE * 400 00:21:28,254 --> 00:21:30,990 * I SHALL BELIEVE * 401 00:21:35,227 --> 00:21:36,529 DETECTIVE? YEAH. 402 00:21:36,529 --> 00:21:37,530 CAN I HAVE YOU SIGN OFF 403 00:21:37,530 --> 00:21:38,898 ON THE COPY OF EVIDENCE? 404 00:21:38,898 --> 00:21:39,899 Cassie: OK. 405 00:21:50,477 --> 00:21:51,911 [CAR HORN HONKS] 406 00:21:55,782 --> 00:21:57,384 [HONK, HONK] 407 00:21:57,384 --> 00:21:58,418 HEY, SAM, IT'S ME. 408 00:21:58,418 --> 00:22:00,152 UM, I'M GONNA BE A LITTLE LATE. 409 00:22:00,152 --> 00:22:02,021 WHY DON'T YOU GET STARTED, OK? 410 00:22:04,424 --> 00:22:06,593 [HORN HONKS] 411 00:22:47,299 --> 00:22:48,501 [GASPS] 412 00:22:50,937 --> 00:22:52,572 AH. OH. 413 00:22:52,572 --> 00:22:56,108 [MAN YELLING] 414 00:22:56,108 --> 00:22:59,011 [WOMAN GASPING] 415 00:23:01,748 --> 00:23:03,616 LOOKS LIKE A BODY DUMP. 416 00:23:16,095 --> 00:23:18,565 JESUS. SHE'S ALIVE. 417 00:23:21,300 --> 00:23:24,136 * LED ME TO THIS TOWN * 418 00:23:27,406 --> 00:23:28,975 HA HA. YO, BUD. 419 00:23:35,247 --> 00:23:37,249 NICE DETECTIVE WORK. 420 00:23:37,249 --> 00:23:39,652 HOW DID YOU FIND ME? 421 00:23:39,652 --> 00:23:42,154 Sam: RULE NUMBER ONE: TALK TO THE NEIGHBORS. 422 00:23:42,154 --> 00:23:44,223 MMM. 423 00:23:44,223 --> 00:23:45,291 LOOK, YOU SAID "A LITTLE LATE." 424 00:23:45,291 --> 00:23:47,794 IT'S BEEN MORE THAN 3 HOURS. 425 00:24:00,673 --> 00:24:02,374 IS THIS ABOUT THE D.A.? 426 00:24:02,374 --> 00:24:03,776 WHAT'S HIS NAME, SWANSON? 427 00:24:03,776 --> 00:24:06,445 THAT ASSHOLE? NO. [LAUGHS] 428 00:24:06,445 --> 00:24:07,514 HE SEEMED OK. 429 00:24:07,514 --> 00:24:10,817 YEAH, WELL, TRY DATING HIM. 430 00:24:10,817 --> 00:24:12,418 HE GOT A LITTLE ROUGH WITH ME ONCE, 431 00:24:12,418 --> 00:24:14,386 SO I BROKE HIS NOSE WITH THE CAT. 432 00:24:14,386 --> 00:24:15,522 THE CAT. 433 00:24:15,522 --> 00:24:18,090 WELL, THE CERAMIC CAT. 434 00:24:26,132 --> 00:24:28,067 UH, NO, THANKS. 435 00:24:29,836 --> 00:24:31,871 GOOD. NOW YOU CAN WALK ME HOME. 436 00:24:31,871 --> 00:24:33,773 SURE. 437 00:24:46,519 --> 00:24:48,588 THANK YOU. 438 00:24:48,588 --> 00:24:49,922 SIT DOWN. 439 00:25:04,470 --> 00:25:05,504 I SHOULD GET GOIN'. 440 00:25:05,504 --> 00:25:07,506 MMM, WHAT'S THE RUSH? 441 00:25:07,506 --> 00:25:09,508 UH... 442 00:25:14,213 --> 00:25:16,916 UM... 443 00:25:16,916 --> 00:25:18,785 CAN I, UH, ASK YOU A PERSONAL QUESTION? 444 00:25:18,785 --> 00:25:22,088 [CLEARS THROAT] I CAN HARDLY WAIT. 445 00:25:22,088 --> 00:25:23,489 HOW DID YOU GET INTO THIS WORK? 446 00:25:23,489 --> 00:25:25,725 I MEAN, HOW-- WHY HOMICIDE? 447 00:25:28,027 --> 00:25:29,495 BECAUSE SOMEBODY I KNEW WAS MURDERED, 448 00:25:29,495 --> 00:25:31,130 AND I GOT INTERESTED IN THE PROCESS. 449 00:25:31,130 --> 00:25:33,065 REALLY? NO. 450 00:25:33,065 --> 00:25:34,701 [LAUGHS] 451 00:25:34,701 --> 00:25:36,803 I'M JUST BULLSHITTIN' YOU. 452 00:25:36,803 --> 00:25:39,606 IT'S JUST THE KIND OF CRAP PEOPLE LIKE TO HEAR. 453 00:25:49,215 --> 00:25:51,450 WAIT. 454 00:25:51,450 --> 00:25:52,451 WHAT ARE YOU DOIN'? 455 00:25:52,451 --> 00:25:53,686 IT'S CALLED SEX. 456 00:25:53,686 --> 00:25:56,623 IT'S FUN, AND YOU SHOULD TRY IT. 457 00:26:01,694 --> 00:26:03,696 LOOK. WAIT. 458 00:26:03,696 --> 00:26:04,931 WE'RE PARTNERS. WE GOTTA WORK TOGETHER. 459 00:26:04,931 --> 00:26:06,065 THIS IS NOT A GOOD IDEA. 460 00:26:06,065 --> 00:26:07,900 DON'T WORRY. I WON'T GET POSSESSIVE. 461 00:26:10,970 --> 00:26:14,206 WAIT. OH, WAIT. WHY ARE YOU DOING THIS? 462 00:26:14,206 --> 00:26:15,341 OH, 'CAUSE I WANT TO. 463 00:26:17,243 --> 00:26:18,778 WHAT ABOUT WHAT I WANT? 464 00:26:18,778 --> 00:26:20,880 WHAT DO YOU WANT? 465 00:26:22,214 --> 00:26:23,215 RIGHT NOW? 466 00:26:23,215 --> 00:26:24,216 YEAH. 467 00:26:25,217 --> 00:26:26,653 THIS. 468 00:26:34,994 --> 00:26:38,865 MMM. MMM. 469 00:26:46,773 --> 00:26:49,608 WAIT. LET'S NOT HURRY. 470 00:26:57,817 --> 00:26:59,251 NO, NO, NO, NO. JUST LEAVE THAT-- 471 00:26:59,251 --> 00:27:02,221 LEAVE THAT ALONE. JUST THAT. PLEASE. 472 00:27:03,389 --> 00:27:04,691 SURE. 473 00:27:26,679 --> 00:27:27,880 MMM. 474 00:27:31,450 --> 00:27:32,985 MMM. WHAT'S THE MATTER? 475 00:27:32,985 --> 00:27:35,321 YOU GOTTA GET UP. YOU GOTTA GO. 476 00:27:35,321 --> 00:27:37,056 WHY? 477 00:27:37,056 --> 00:27:38,190 BECAUSE I GOTTA GET SOME SLEEP. 478 00:27:38,190 --> 00:27:39,591 WE GOT A LOT OF WORK TO DO TOMORROW. 479 00:27:39,591 --> 00:27:41,060 WELL, WHY CAN'T WE SLEEP TOGETHER? 480 00:27:41,060 --> 00:27:42,795 MMM, 'CAUSE THE BED'S TOO SMALL. 481 00:27:42,795 --> 00:27:44,063 MMM, NO, IT'S NOT. 482 00:27:44,063 --> 00:27:46,465 MMM, COME ON, COME ON. YOU GOTTA GO. 483 00:27:46,465 --> 00:27:48,167 HEY. 484 00:27:48,167 --> 00:27:49,401 [THUD] OH! 485 00:27:49,401 --> 00:27:50,402 AH, JESUS. 486 00:27:56,508 --> 00:27:58,110 MMM. 487 00:28:00,847 --> 00:28:04,784 MMM. I'LL SEE YOU TOMORROW. GOOD NIGHT. 488 00:28:30,042 --> 00:28:31,577 Justin: THE EVIDENCE IS SO TINY, YOU WOULDN'T KNOW IT 489 00:28:31,577 --> 00:28:33,112 IF YOU HELD IT IN YOUR HAND. 490 00:28:33,112 --> 00:28:34,847 A FEW COMMON YELLOW CARPET FIBERS, 491 00:28:34,847 --> 00:28:37,183 SOME RED CARPET FIBERS AND SOME HAIR. 492 00:28:37,183 --> 00:28:38,650 THAT'S IT. 493 00:28:38,650 --> 00:28:41,854 THE FIBERS WILL BE SUBJECTED TO INFRARED SPECTROPHOTOMETRY 494 00:28:41,854 --> 00:28:44,156 TO DETERMINE THEIR GENERIC AND SUB-GENERIC CLASSES, 495 00:28:44,156 --> 00:28:45,792 THEN COMPARED AGAINST THE DATABASE 496 00:28:45,792 --> 00:28:47,126 TO DETERMINE THE MANUFACTURER, 497 00:28:47,126 --> 00:28:48,394 BUT THAT WON'T BE MUCH HELP. 498 00:28:48,394 --> 00:28:50,229 YELLOW CARPET FIBERS, CONSISTENT WITH 499 00:28:50,229 --> 00:28:52,431 A MASS-PRODUCED LINE OF THE TRIACETATE VARIETY. 500 00:28:52,431 --> 00:28:54,600 MANUFACTURED OUT OF DENVER, DISTRIBUTED ALL OVER 501 00:28:54,600 --> 00:28:55,734 THE WESTERN UNITED STATES 502 00:28:55,734 --> 00:28:58,070 UNDER SEVERAL DIFFERENT BRAND NAMES. 503 00:28:58,070 --> 00:28:59,038 NO HELP. 504 00:28:59,038 --> 00:29:01,007 SAME WITH THE RED FIBERS. 505 00:29:01,007 --> 00:29:03,642 SEVERAL LUSTROUS TRILOBAL NYLON FIBERS 506 00:29:03,642 --> 00:29:07,046 ALONG WITH SEVERAL OTHER RED DELUSTERED FIBERS 507 00:29:07,046 --> 00:29:08,680 WILL BE EXAMINED AND MATCHED WITH THE BRANDS. 508 00:29:08,680 --> 00:29:10,116 SOLD BY HANOVER SAMPSON 509 00:29:10,116 --> 00:29:13,052 FOR SEVERAL WHOLESALE DISCOUNT STORES. 510 00:29:13,052 --> 00:29:13,853 OH. 511 00:29:13,853 --> 00:29:15,922 THAT NARROWS IT DOWN. 512 00:29:15,922 --> 00:29:19,191 THEY SOLD 50,000 OF THEM IN THAT COLOR LAST YEAR. 513 00:29:19,191 --> 00:29:22,728 MICROSCOPIC EXAMINATION OF THE CUTICLE, THE CORTEX, 514 00:29:22,728 --> 00:29:23,963 AND THE MEDULLA OF THE HAIR 515 00:29:23,963 --> 00:29:26,065 WILL REVEAL THEM TO BE HUMAN IN ORIGIN. 516 00:29:26,065 --> 00:29:27,266 2 BROWN HUMAN HEAD HAIRS. 517 00:29:27,266 --> 00:29:29,802 DEFINITELY NOT THE VICTIM'S. 518 00:29:29,802 --> 00:29:31,804 Justin: ALL BUT ONE. 519 00:29:38,144 --> 00:29:39,311 THIS ONE WILL BAFFLE THEM, 520 00:29:39,311 --> 00:29:41,047 BUT IT WILL ALL MAKE SENSE LATER. 521 00:29:41,047 --> 00:29:42,849 ONE HAIR OF NONHUMAN ORIGIN. 522 00:29:42,849 --> 00:29:44,150 SCALE PATTERN OF THE HAIR MATCHES THAT 523 00:29:44,150 --> 00:29:46,052 OF CYNOCEPHALUS MAIMON. 524 00:29:47,920 --> 00:29:49,956 IT'S A FREAKIN' BABOON HAIR. 525 00:29:49,956 --> 00:29:52,892 NO FINGERPRINTS, NO MURDER WEAPON. 526 00:29:52,892 --> 00:29:54,994 THEY'LL HAVE THEIR WORK CUT OUT FOR THEM. 527 00:29:56,762 --> 00:29:59,365 THAT'S WHAT THEY'RE PAID FOR, RIGHT? 528 00:29:59,365 --> 00:30:00,299 Sam: HERE IT IS. 529 00:30:00,299 --> 00:30:02,101 CORONER SAID STRANGULATION WAS SLOW, 530 00:30:02,101 --> 00:30:05,004 PERHAPS THE VICTIM WAS BEING TORTURED. 531 00:30:05,004 --> 00:30:06,839 UM, THAT THE POSTMORTEM STAB WOUNDS 532 00:30:06,839 --> 00:30:08,074 BARELY BROKE THE SURFACE. 533 00:30:08,074 --> 00:30:09,808 THEY WERE TENTATIVE. 534 00:30:18,918 --> 00:30:20,186 OK, THAT'S IT. 535 00:30:20,186 --> 00:30:21,520 ONCE THEY PUT IT ALL TOGETHER, 536 00:30:21,520 --> 00:30:23,789 THEY'LL DECIDE THAT, GIVEN THE SLOPPY NATURE 537 00:30:23,789 --> 00:30:24,924 OF THE CRIME SCENE-- 538 00:30:24,924 --> 00:30:26,859 THE POSTMORTEM MUTILATION-- 539 00:30:26,859 --> 00:30:28,627 THE PROFILE WILL LEAN TOWARDS THAT 540 00:30:28,627 --> 00:30:30,729 OF A DISORGANIZED OFFENDER. 541 00:30:30,729 --> 00:30:31,931 POOR SOCIAL SKILLS. 542 00:30:31,931 --> 00:30:34,600 Justin: NOCTURNAL BY NATURE. 543 00:30:34,600 --> 00:30:37,136 PROBABLY INTO PORNOGRAPHY. 544 00:30:37,136 --> 00:30:39,005 Justin: ABOVE AVERAGE INTELLIGENCE, BUT UNEDUCATED. 545 00:30:39,005 --> 00:30:40,172 LIVES ALONE. 546 00:30:40,172 --> 00:30:41,673 LIMITED RELATIONS WITH WOMEN. 547 00:30:41,673 --> 00:30:45,244 ATTACK WAS SPONTANEOUS. 548 00:30:45,244 --> 00:30:47,179 UNPLANNED. 549 00:30:47,179 --> 00:30:48,680 EXCEPT, HE DIDN'T DRIVE DOWN CLOSE 550 00:30:48,680 --> 00:30:50,649 TO THE DUMP SPOT. 551 00:30:50,649 --> 00:30:52,919 THAT IS PLANNING. 552 00:30:52,919 --> 00:30:55,621 BUT HE LEFT THE FOOTPRINTS. 553 00:30:55,621 --> 00:30:58,157 NONE OF THE PHYSICAL EVIDENCE WILL LEAD TO THE SUSPECT, 554 00:30:58,157 --> 00:31:00,326 BUT THEY WILL DAMN HIM WHEN HE IS DISCOVERED. 555 00:31:00,326 --> 00:31:02,461 WHEN WILL THEY HAVE A SUSPECT? 556 00:31:02,461 --> 00:31:03,930 THEY SHOULD BE EATING OUT OF OUR HANDS 557 00:31:03,930 --> 00:31:05,197 RIGHT ABOUT NOW. 558 00:31:05,197 --> 00:31:07,833 Richard: POOR RAY. HE'LL NEVER SEE IT COMING. 559 00:31:07,833 --> 00:31:09,535 CASSIE, LOOK AT THIS. 560 00:31:12,638 --> 00:31:13,805 "VIGI BOOTS." 561 00:31:13,805 --> 00:31:16,075 WHAT THE HELL ARE VIGI BOOTS? 562 00:31:18,210 --> 00:31:20,779 THERE HE IS, IN THE BLACK COAT. 563 00:31:20,779 --> 00:31:22,581 DON'T LET HIM CHARM YOU TOO MUCH. 564 00:31:23,682 --> 00:31:24,883 RICHARD HAYWOOD? 565 00:31:28,354 --> 00:31:29,555 CASSIE MAYWEATHER, SAM KENNEDY. 566 00:31:29,555 --> 00:31:30,422 SAN BENITO POLICE. 567 00:31:30,422 --> 00:31:32,791 CAN WE TALK TO YOU FOR A MINUTE? 568 00:31:32,791 --> 00:31:34,160 YEAH, SURE. 569 00:31:38,264 --> 00:31:39,265 SO, YOU'RE WILLING TO SPEAK TO US 570 00:31:39,265 --> 00:31:41,700 WITHOUT AN ATTORNEY PRESENT? 571 00:31:41,700 --> 00:31:42,901 SURE. 572 00:31:44,236 --> 00:31:46,438 WHERE WERE YOU LAST THURSDAY NIGHT? 573 00:31:49,641 --> 00:31:51,910 YOU THINK YOU COULD TELL ME WHAT THIS IS ABOUT? 574 00:31:51,910 --> 00:31:53,445 WE'LL GET TO THAT. JUST ANSWER THE QUESTION. 575 00:31:53,445 --> 00:31:57,183 I WAS CRAMMING FOR THIS CALCULUS MID-TERM. 576 00:31:57,183 --> 00:31:58,717 I WAS WITH A STUDY GROUP. 577 00:31:58,717 --> 00:31:59,952 HOW LONG? 578 00:31:59,952 --> 00:32:03,722 FROM ABOUT 7:00 UNTIL 3:00 FRIDAY MORNING. 579 00:32:03,722 --> 00:32:05,724 THAT'S QUITE A CRAM SESSION. 580 00:32:05,724 --> 00:32:07,960 YEAH, WELL... 581 00:32:07,960 --> 00:32:09,428 YOU KNOW, I GOT KIND OF A SPOTTY RECORD. 582 00:32:09,428 --> 00:32:12,431 I GOT TO KEEP MY GRADES UP FOR COLLEGE. 583 00:32:18,337 --> 00:32:20,706 CAN YOU GIVE US THE NAMES OF THE OTHER PEOPLE THERE? 584 00:32:20,706 --> 00:32:23,275 YEAH. SURE. 585 00:32:23,275 --> 00:32:24,943 AM I IN SOME KIND OF TROUBLE? 586 00:32:24,943 --> 00:32:26,412 YOU SEEM VERY PARTICULAR 587 00:32:26,412 --> 00:32:28,480 ABOUT YOUR APPEARANCE, RICHARD. 588 00:32:30,349 --> 00:32:32,251 THANKS. 589 00:32:32,251 --> 00:32:34,253 I LIKE YOUR OUTFIT, TOO. 590 00:32:35,154 --> 00:32:37,656 SHE LOOKS GOOD. IT'S LIKE, UH--LIKE, UH... 591 00:32:37,656 --> 00:32:41,227 FEMININE, BUT IT STILL MANAGES TO BE PROFESSIONAL. 592 00:32:41,227 --> 00:32:43,595 IS THAT LIKE, A-- LIKE, A PLEATHER? 593 00:32:43,595 --> 00:32:46,432 KMART. 594 00:32:46,432 --> 00:32:48,267 WHAT WE'RE INTERESTED IN IS YOUR SHOES, RICHARD. 595 00:32:48,267 --> 00:32:50,902 LET'S TALK ABOUT THESE. 596 00:32:50,902 --> 00:32:52,638 VIGIs? 597 00:32:52,638 --> 00:32:55,041 YOU OWN A PAIR OF THESE? 598 00:32:55,041 --> 00:32:56,308 UH... 599 00:32:56,308 --> 00:32:58,077 YOU BOUGHT THEM AT, UH, SCARLATTI'S, 600 00:32:58,077 --> 00:33:01,947 DOWNTOWN SANTA BARBARA, FOR $637.50... 601 00:33:01,947 --> 00:33:05,351 ON YOUR PLATINUM BANK CARD. 602 00:33:05,351 --> 00:33:07,186 SIZE 12-D. 603 00:33:09,488 --> 00:33:12,624 THIS CAN'T BE ABOUT MY SHOES. 604 00:33:12,624 --> 00:33:14,160 Cassie: WHY NOT? 605 00:33:15,394 --> 00:33:18,697 THIS IS ABOUT MY SHOES? 606 00:33:18,697 --> 00:33:20,899 [CHUCKLES] 607 00:33:20,899 --> 00:33:22,234 WHEW. 608 00:33:22,234 --> 00:33:24,436 YOU GOT ME FREAKED OUT LIKE I DID SOMETHING. 609 00:33:24,436 --> 00:33:25,704 JEEZ. 610 00:33:25,704 --> 00:33:27,239 DID YOU FIND THEM OR WHAT? 611 00:33:29,108 --> 00:33:30,842 I REPORTED THEM STOLEN FROM MY LOCKER, 612 00:33:30,842 --> 00:33:32,411 LIKE, 3 WEEKS AGO. 613 00:33:32,411 --> 00:33:35,447 I EVEN FILED A REPORT WITH THE FRONT OFFICE. 614 00:33:37,549 --> 00:33:39,318 WELL, DID YOU FIND THOSE SHOES OR NOT? 615 00:33:42,121 --> 00:33:44,156 OH, YOU KNOW WHAT? 616 00:33:44,156 --> 00:33:46,158 I THINK YOU SHOULD TELL ME WHAT'S GOING ON. 617 00:33:46,158 --> 00:33:49,061 'CAUSE I'M... SPINNING OUT HERE. 618 00:33:49,061 --> 00:33:50,996 SHOE PRINTS MATCHING THESE WERE FOUND 619 00:33:50,996 --> 00:33:52,898 AT THE SCENE OF A MURDER LAST WEEK. 620 00:33:52,898 --> 00:33:55,634 WHAT, THE COVINGTON WOMAN? 621 00:33:55,634 --> 00:33:56,802 THAT'S RIGHT. 622 00:33:56,802 --> 00:33:58,870 SO, YOU THINK THAT THE PERSON THAT STOLE MY SHOES 623 00:33:58,870 --> 00:34:01,807 COMMITTED THIS MURDER? 624 00:34:01,807 --> 00:34:03,275 WELL, I WANT YOU TO KNOW THAT I'M GONNA COOPERATE 625 00:34:03,275 --> 00:34:04,876 IN ANY WAY THAT I CAN. 626 00:34:04,876 --> 00:34:05,877 YOU HAVE ANY IDEA WHO MIGHT 627 00:34:05,877 --> 00:34:07,079 HAVE STOLEN YOUR BOOTS? 628 00:34:07,079 --> 00:34:08,614 NO, I DON'T. 629 00:34:08,614 --> 00:34:10,282 I WISH I DID NOW, THOUGH. HEH HEH. 630 00:34:10,282 --> 00:34:11,517 ANY ENEMIES AT SCHOOL? 631 00:34:11,517 --> 00:34:14,086 OH, WELL, IT'S HIGH SCHOOL. 632 00:34:14,086 --> 00:34:16,054 WHAT DOES THAT MEAN? 633 00:34:16,054 --> 00:34:17,556 COME ON. I DON'T WANT TO SOUND ARROGANT, 634 00:34:17,556 --> 00:34:19,057 BUT THERE'S PEOPLE AT THIS SCHOOL 635 00:34:19,057 --> 00:34:20,092 WHO ENVY ME. 636 00:34:20,092 --> 00:34:21,427 REALLY? 637 00:34:21,427 --> 00:34:22,228 YEAH. 638 00:34:22,228 --> 00:34:24,196 WHY WOULD THEY DO THAT? 639 00:34:25,131 --> 00:34:28,467 WELL, LET'S JUST SAY THAT I'M VERY FORTUNATE, 640 00:34:28,467 --> 00:34:32,037 AND I'VE BEEN BLESSED IN MANY WAYS. 641 00:34:32,037 --> 00:34:34,906 MUST BE NICE BEING YOU, RICHARD. 642 00:34:34,906 --> 00:34:36,742 I GOT NO COMPLAINTS. 643 00:34:38,344 --> 00:34:40,112 IT ALL CHECKED OUT. 644 00:34:40,112 --> 00:34:41,280 HE FILED A REPORT ABOUT THE BOOTS, 645 00:34:41,280 --> 00:34:42,648 JUST LIKE HE SAID, 646 00:34:42,648 --> 00:34:44,049 AND HE MADE A PRETTY BIG FUSS ABOUT IT, 647 00:34:44,049 --> 00:34:45,517 ACCORDING TO THE PRINCIPAL. 648 00:34:45,517 --> 00:34:47,686 YEAH, I BET HE WAS A PAIN IN THE ASS. 649 00:34:49,455 --> 00:34:51,089 WELL, SHE DIDN'T SAY ANYTHING LIKE THAT. 650 00:34:51,089 --> 00:34:52,023 NO, BELIEVE ME. 651 00:34:52,023 --> 00:34:54,226 I HATE KIDS LIKE THAT. 652 00:34:54,226 --> 00:34:55,694 LIKE WHAT? 653 00:34:59,097 --> 00:35:00,166 CASSIE... 654 00:35:00,166 --> 00:35:02,201 WHAT ABOUT THE STUDY SESSION? 655 00:35:03,535 --> 00:35:05,937 6 KIDS--6 KIDS WERE AT HIS HOUSE WITH HIM, 656 00:35:05,937 --> 00:35:09,441 UH, FROM APPROXIMATELY 7:00, 7:30 THURSDAY EVENING 657 00:35:09,441 --> 00:35:11,777 TILL 3:00 A.M. FRIDAY. 658 00:35:11,777 --> 00:35:12,811 I TALKED TO ALL OF THEM. 659 00:35:12,811 --> 00:35:14,246 THEY ALL SAID HE WAS THERE THE WHOLE TIME, 660 00:35:14,246 --> 00:35:15,581 EXCEPT FOR 15 MINUTES, 661 00:35:15,581 --> 00:35:17,649 WHEN HE WENT TO A LOCAL ATM TO GET CASH 662 00:35:17,649 --> 00:35:18,917 FOR SOME PIZZA THEY'D ORDERED. 663 00:35:18,917 --> 00:35:19,951 DID YOU CHECK THAT OUT? 664 00:35:19,951 --> 00:35:24,790 YEAH, HE WITHDREW $40 AT 9:19. 665 00:35:28,260 --> 00:35:29,995 GET THAT ENHANCED. 666 00:35:29,995 --> 00:35:31,129 WHY? 667 00:35:31,129 --> 00:35:33,365 BECAUSE I CAN'T SEE HIS FACE. 668 00:35:33,365 --> 00:35:35,066 WELL, IT'S HIM. 669 00:35:35,066 --> 00:35:38,136 I CAN'T SEE HIS FACE. 670 00:35:40,339 --> 00:35:42,641 YOU REALLY THINK HE HAD ANYTHING TO DO WITH THIS? 671 00:35:42,641 --> 00:35:43,642 I DON'T KNOW. 672 00:35:43,642 --> 00:35:46,578 BUT SOMETHING'S NOT RIGHT WITH THAT KID. 673 00:35:47,913 --> 00:35:49,681 WELL, LOOK, 15 MINUTES-- 674 00:35:49,681 --> 00:35:51,750 IT DOESN'T GIVE HIM ENOUGH TIME. 675 00:35:51,750 --> 00:35:53,652 HE'S GOT TO DRIVE UP TO COVINGTON, KILL THE WOMAN, 676 00:35:53,652 --> 00:35:55,921 DUMP HER BODY IN MARIPOSAS WOODS AND GET BACK. 677 00:35:55,921 --> 00:35:57,689 HE'D NEED AT LEAST AN HOUR. 678 00:36:10,736 --> 00:36:13,472 [CLINKING] 679 00:36:29,455 --> 00:36:30,856 THEY QUESTIONED ME. 680 00:36:30,856 --> 00:36:31,857 AND? 681 00:36:31,857 --> 00:36:33,359 AND IT WAS SO COOL. 682 00:36:33,359 --> 00:36:34,893 DID THEY GO FOR THE SHOES? 683 00:36:34,893 --> 00:36:36,595 OH, THEY GRABBED IT. 684 00:36:36,595 --> 00:36:38,997 I WAS SO GOOD. I REALLY WAS. LISTEN... 685 00:36:38,997 --> 00:36:41,199 Richard, on tape: THIS CAN'T BE ABOUT MY SHOES. 686 00:36:41,199 --> 00:36:42,301 Cassie: WHY NOT? 687 00:36:42,301 --> 00:36:43,469 Richard: DID YOU FIND THEM OR WHAT? 688 00:36:43,469 --> 00:36:45,471 YOU SURE THEY DIDN'T SUSPECT ANYTHING? 689 00:36:45,471 --> 00:36:47,539 I MEAN, YOU DIDN'T OVERDO IT? 690 00:36:49,007 --> 00:36:50,609 A LITTLE BIT. 691 00:36:50,609 --> 00:36:53,745 I OVERDID IT A LITTLE BIT. 692 00:36:53,745 --> 00:36:55,447 Richard: SO, YOU THINK THAT THE PERSON THAT STOLE MY SHOES 693 00:36:55,447 --> 00:36:57,816 COMMITTED THIS MURDER? 694 00:36:57,816 --> 00:37:00,452 WELL, I WANT YOU TO KNOW THAT I'M GONNA COOPERATE 695 00:37:00,452 --> 00:37:02,854 IN ANY WAY THAT I CAN. 696 00:37:02,854 --> 00:37:04,456 YOU KNOW? [LAUGHS] 697 00:37:04,456 --> 00:37:05,591 MEET ME AT THE BLUFF TONIGHT. 698 00:37:05,591 --> 00:37:06,958 I'M GONNA TELL YOU ALL ABOUT IT. 699 00:37:06,958 --> 00:37:08,560 OH, I CAN'T. 700 00:37:12,097 --> 00:37:13,299 WHY NOT? 701 00:37:13,299 --> 00:37:16,134 I--I HAVE SOMETHING TO DO. 702 00:37:16,134 --> 00:37:17,303 LIKE WHAT? 703 00:37:17,303 --> 00:37:21,273 I'LL TELL YOU LATER. I--I SHOULD... 704 00:37:27,846 --> 00:37:29,515 DO YOU KNOW WHO THIS KID'S FATHER IS? 705 00:37:29,515 --> 00:37:31,283 Cassie: I DON'T GIVE A SHIT. I WANT TO SEARCH THE HOUSE. 706 00:37:31,283 --> 00:37:32,651 LAWRENCE HAYWOOD. 707 00:37:32,651 --> 00:37:34,353 HE BUILT THE HILLSDALE MALL. 708 00:37:34,353 --> 00:37:36,221 BIG CAMPAIGN CONTRIBUTOR, ROD? 709 00:37:36,221 --> 00:37:37,523 THAT'S RIGHT, CASSIE. 710 00:37:37,523 --> 00:37:39,157 AND I AM NOT ABOUT TO FUCK WITH A GUY LIKE THAT 711 00:37:39,157 --> 00:37:40,559 ON ANYTHING AS FLIMSY AS THIS. 712 00:37:40,559 --> 00:37:43,295 I'VE GROWN MUCH TOO FOND OF MY OWN ASS TO DO ANYTHING 713 00:37:43,295 --> 00:37:44,763 THAT GODDAMN STUPID. 714 00:37:44,763 --> 00:37:45,997 [SIGHS] 715 00:37:47,165 --> 00:37:48,500 AND WHAT IS YOUR PROBLEM? 716 00:37:50,135 --> 00:37:52,270 Rod: WHERE ARE YOU ON THIS, SAM? 717 00:37:54,440 --> 00:37:56,608 I DON'T CARE WHO HIS FATHER IS, EITHER. 718 00:37:56,608 --> 00:37:58,009 THAT'S NOT WHAT I'M ASKING. 719 00:37:58,009 --> 00:38:01,613 DO YOU THINK WE HAVE ENOUGH TO GO AFTER THIS KID? 720 00:38:04,883 --> 00:38:06,284 NO. 721 00:38:06,284 --> 00:38:07,419 AND IF WE GO IN TOO SOON, 722 00:38:07,419 --> 00:38:08,854 I THINK WE COULD BURN THE WHOLE CASE. 723 00:38:08,854 --> 00:38:11,256 OH, REALLY? AND WHY IS THAT, VICE? 724 00:38:11,256 --> 00:38:12,758 Swanson: LOOK, I DON'T THINK THERE'S A JUDGE IN THE COUNTY 725 00:38:12,758 --> 00:38:14,593 WHO'S GONNA SIGN A WARRANT ON THE BASIS OF-- 726 00:38:14,593 --> 00:38:16,595 OH, YOU KNOW WHAT? SHUT UP, SWANSON. 727 00:38:16,595 --> 00:38:18,096 LOOK, ROD, I'M TELLING YOU THIS KID 728 00:38:18,096 --> 00:38:19,164 WITH HIS DICK HEAD ATTITUDE AND-- 729 00:38:19,164 --> 00:38:20,466 LOOK, HIS ATTITUDE ISN'T A CRIME. 730 00:38:20,466 --> 00:38:22,200 IT IS AN INDICATOR. IT'S A PERSONALITY TYPE 731 00:38:22,200 --> 00:38:23,201 THAT'S VERY CAPABLE OF DOING-- 732 00:38:23,201 --> 00:38:24,436 HE DOESN'T FIT THE PROFILE-- 733 00:38:24,436 --> 00:38:26,338 YEAH, THE PROFILE DOESN'T FIT THE PROFILE! 734 00:38:26,338 --> 00:38:27,873 THE KILLER HAS ENOUGH SMARTS 735 00:38:27,873 --> 00:38:29,641 NOT TO DRIVE THE CAR DOWN TO THE DUMP SITE, 736 00:38:29,641 --> 00:38:30,976 THE FORESIGHT TO STEAL RICHARD'S BOOTS 737 00:38:30,976 --> 00:38:32,478 AND USE THEM INSTEAD OF HIS OWN, BUT THE ATTACK 738 00:38:32,478 --> 00:38:33,612 WAS SPONTANEOUS AND UNPLANNED? 739 00:38:33,612 --> 00:38:34,613 OK, BUT IF YOU'RE RIGHT 740 00:38:34,613 --> 00:38:35,881 AND WE PUSH TOO SOON-- 741 00:38:35,881 --> 00:38:37,816 ROD, WHOSE CASE IS THIS? WHOSE CASE IS THIS? 742 00:38:37,816 --> 00:38:38,884 CALM DOWN, PLEASE. 743 00:38:38,884 --> 00:38:40,386 NO, I'VE BEEN TRYING TO FIND OLIVIA'S KILLER. 744 00:38:40,386 --> 00:38:41,453 OK? I'M BUSTING MY ASS NIGHT AND DAY-- 745 00:38:41,453 --> 00:38:44,155 OLIVIA? WHO THE HELL IS OLIVIA? 746 00:38:44,155 --> 00:38:45,491 THE VICTIM. 747 00:38:45,491 --> 00:38:46,625 IS THIS STILL MY INVESTIGATION? 748 00:38:46,625 --> 00:38:48,627 IT'S A COORDINATED EFFORT. 749 00:38:48,627 --> 00:38:51,997 YOU'RE GETTING WAY TOO INVOLVED IN THIS, CASSIE. 750 00:38:55,333 --> 00:38:56,234 CASSIE? 751 00:38:56,234 --> 00:38:57,302 WHAT? 752 00:38:57,302 --> 00:38:58,970 YOU CALLED HER BY HER FIRST NAME. 753 00:38:58,970 --> 00:39:00,205 I'M SORRY. WHAT? 754 00:39:00,205 --> 00:39:02,908 YOU SAID, "I'VE BEEN TRYING TO FIND OLIVIA'S KILLER." 755 00:39:02,908 --> 00:39:04,976 NO, I DIDN'T. 756 00:39:07,112 --> 00:39:08,113 DID I? 757 00:39:08,113 --> 00:39:10,215 YEAH, YOU DID. 758 00:39:10,215 --> 00:39:12,951 YOU'RE SUPPOSED TO BE IDENTIFYING WITH THE KILLER, 759 00:39:12,951 --> 00:39:14,386 NOT THE VICTIM. 760 00:39:16,922 --> 00:39:18,457 YOU REMEMBER THAT? 761 00:39:20,025 --> 00:39:21,460 [DOOR SLAMS] 762 00:39:23,328 --> 00:39:27,098 Matlock, on TV: YOU DON'T HAVE ANY WITNESSES OR FINGERPRINTS 763 00:39:27,098 --> 00:39:28,567 OR POWDER BURNS OR... 764 00:39:28,567 --> 00:39:30,201 [KNOCK ON DOOR] 765 00:39:30,201 --> 00:39:35,106 Man, on TV: TOBIAS ALWAYS KEPT A GUN RIGHT HERE. 766 00:39:35,106 --> 00:39:36,174 LOADED. 767 00:39:36,174 --> 00:39:37,543 CAN I COME IN? 768 00:39:37,543 --> 00:39:39,545 WITHIN EASY REACH OF ANYBODY SITTING AT THIS DESK. 769 00:39:39,545 --> 00:39:41,913 [LOWERS VOLUME] 770 00:39:45,517 --> 00:39:47,786 LISTEN-- LISTEN, I'M SORRY 771 00:39:47,786 --> 00:39:49,621 I DIDN'T BACK YOU UP IN THERE. 772 00:39:49,621 --> 00:39:50,989 HEY, I'M A BIG GIRL. 773 00:39:50,989 --> 00:39:53,158 YOU SAID WHAT YOU THOUGHT, RIGHT? 774 00:39:53,158 --> 00:39:54,426 YES, BUT IT-- 775 00:39:54,426 --> 00:39:56,027 WELL, THEN, YOU DID THE RIGHT THING. 776 00:39:57,629 --> 00:39:58,830 YOU KNOW, WE CAN'T JUST BUST IN THERE-- 777 00:39:58,830 --> 00:40:01,332 YEAH, I KNOW. I HEARD YOU WITH ROD. 778 00:40:01,332 --> 00:40:03,234 SO, CAN YOU GET OUT OF THE WAY? 779 00:40:03,234 --> 00:40:05,403 YOU KNOW WHAT YOUR PROBLEM IS? 780 00:40:05,403 --> 00:40:06,738 YEAH, IT'S THAT YOU'RE BLOCKING MATLOCK. 781 00:40:06,738 --> 00:40:08,106 NOW CAN YOU GET OUT OF THE WAY? 782 00:40:08,106 --> 00:40:09,307 PLEASE? 783 00:40:09,307 --> 00:40:11,677 I'M JUST--I'M TRYING TO APOLOGIZE HERE. 784 00:40:14,312 --> 00:40:15,380 ALL RIGHT. 785 00:40:15,380 --> 00:40:17,182 APOLOGY ACCEPTED. 786 00:40:19,017 --> 00:40:20,452 YOU WANT TO SIT DOWN? 787 00:40:23,021 --> 00:40:24,656 WANT TO HAVE A COOKIE? 788 00:40:46,011 --> 00:40:48,013 HI. HI. 789 00:40:53,384 --> 00:40:55,020 WHAT'S GOING ON? 790 00:40:55,020 --> 00:40:58,456 MMM, I'M MAKING UP. 791 00:40:58,456 --> 00:41:00,091 WE'RE STILL FRIENDS, RIGHT? 792 00:41:00,091 --> 00:41:01,893 WHAT--WHAT'S THIS? 793 00:41:01,893 --> 00:41:04,029 I DON'T KNOW. LET'S FIND OUT. 794 00:41:04,029 --> 00:41:04,996 SO, WHAT HAPPENS? 795 00:41:04,996 --> 00:41:06,498 WE DO THIS AND YOU THROW ME OUT AGAIN? 796 00:41:06,498 --> 00:41:07,899 OR YOU STAY. 797 00:41:07,899 --> 00:41:10,435 OR, THIS TIME, YOU LEAVE. I DON'T KNOW. 798 00:41:10,435 --> 00:41:13,071 IT'S REALLY HARD TO TELL IN ADVANCE. 799 00:41:13,071 --> 00:41:15,707 WHAT DO YOU WANT, HUH? YOU WANT--YOU WANT PROMISES? 800 00:41:15,707 --> 00:41:16,942 YOU WANT A RING? 801 00:41:16,942 --> 00:41:19,144 IS THAT WHAT YOU WANT? DO YOU WANT A RING? 802 00:41:19,144 --> 00:41:20,646 DON'T. ALL RIGHT? 803 00:41:22,080 --> 00:41:24,282 LOOK, IT'S NOT JUST ABOUT SEX. OK? 804 00:41:24,282 --> 00:41:26,652 I REALLY RESPECT YOU AS A PERSON. 805 00:41:29,387 --> 00:41:30,656 IS THAT WHAT YOU-- 806 00:41:32,591 --> 00:41:34,192 WHY DO YOU ALWAYS WANT TO HURT PEOPLE? 807 00:41:34,192 --> 00:41:36,528 I WOULDN'T SAY ALWAYS. 808 00:41:36,528 --> 00:41:38,296 IT JUST KIND OF HAPPENS SOMETIMES. 809 00:41:38,296 --> 00:41:41,432 YOU--YOU'RE SO-- YOU'RE SO GOOD 810 00:41:41,432 --> 00:41:43,101 AT BREAKING OTHER PEOPLE DOWN. 811 00:41:43,101 --> 00:41:46,271 BUT YOU NEVER STOP AND TAKE A LOOK AT YOURSELF. 812 00:41:59,450 --> 00:42:01,620 THE NEIGHBOR HEARD 2 SHOTS. 813 00:42:01,620 --> 00:42:05,356 ONLY ONE SLUG WAS EVER FOUND. 814 00:42:05,356 --> 00:42:06,491 THE OTHER-- 815 00:42:06,491 --> 00:42:07,826 [SHUTS OFF TV] 816 00:42:40,258 --> 00:42:41,159 ALL RIGHT. 817 00:42:41,159 --> 00:42:43,094 [GIGGLES] WHERE ARE YOU TAKING ME? 818 00:42:43,094 --> 00:42:46,297 NO PEEKING. WE'RE ALMOST THERE. 819 00:42:46,297 --> 00:42:47,899 STEP UP. 820 00:42:51,870 --> 00:42:53,404 OK. 821 00:42:53,404 --> 00:42:55,006 OPEN YOUR EYES. 822 00:42:56,675 --> 00:43:00,145 OH, MY GOD. JUSTIN, THIS IS BEAUTIFUL. 823 00:43:02,748 --> 00:43:04,182 DID YOU GROW THESE? 824 00:43:12,423 --> 00:43:14,192 WHAT HAPPENED? YOU'RE DIFFERENT. 825 00:43:15,794 --> 00:43:17,996 YEAH, I AM DIFFERENT. 826 00:43:30,709 --> 00:43:33,278 [TELEPHONE RINGS] 827 00:43:37,015 --> 00:43:39,617 [RING] 828 00:43:40,719 --> 00:43:42,688 MAYWEATHER. 829 00:43:42,688 --> 00:43:44,022 HELLO? 830 00:43:44,022 --> 00:43:45,423 Operator: YOU HAVE A COLLECT CALL FROM AN INMATE 831 00:43:45,423 --> 00:43:47,793 IN THE CALIFORNIA DEPARTMENT OF CORRECTIONS FACILITY. 832 00:43:47,793 --> 00:43:49,494 THE NAME OF THE INMATE IS... 833 00:43:49,494 --> 00:43:50,729 CARL HUDSON. 834 00:43:50,729 --> 00:43:52,898 IF YOU WISH TO ACCEPT, PRESS-- 835 00:43:56,702 --> 00:43:59,404 [RING] 836 00:44:03,408 --> 00:44:06,611 [RING] 837 00:44:06,611 --> 00:44:08,246 I DO NOT WISH TO ACCEPT ANY CALLS FROM-- 838 00:44:08,246 --> 00:44:09,347 CASSIE? 839 00:44:09,347 --> 00:44:11,016 WHAT? 840 00:44:11,016 --> 00:44:12,317 IT'S SAM. 841 00:44:12,317 --> 00:44:14,419 HEY. HI. I'M SORRY. 842 00:44:14,419 --> 00:44:16,121 UM, WHAT CAN I DO FOR YOU? 843 00:44:16,121 --> 00:44:19,390 REMEMBER THE PUKE AT THE BODY DUMP? 844 00:44:19,390 --> 00:44:20,525 YEAH. 845 00:44:20,525 --> 00:44:22,060 WELL, MOST OF IT WAS UNIDENTIFIABLE, 846 00:44:22,060 --> 00:44:24,262 BUT, UH, KEVIN MANAGED TO ISOLATE 847 00:44:24,262 --> 00:44:27,365 WHAT TURNED OUT TO BE PARTIALLY DIGESTED EGGS. 848 00:44:27,365 --> 00:44:28,366 FISH EGGS. 849 00:44:28,366 --> 00:44:29,500 OH, YOU MEAN CAVIAR? 850 00:44:29,500 --> 00:44:30,635 YEAH, APPARENTLY SO. 851 00:44:30,635 --> 00:44:31,703 ANYWAY, I COMPILED A LIST 852 00:44:31,703 --> 00:44:33,038 OF ALL THE LOCAL RESTAURANTS 853 00:44:33,038 --> 00:44:35,440 AND VENDORS THAT SELL CAVIAR. 854 00:44:39,677 --> 00:44:41,379 "MAISON SAINT CROIX." 855 00:44:41,379 --> 00:44:42,380 WHAT WAS HIS NAME AGAIN? 856 00:44:42,380 --> 00:44:44,415 RICHARD HAYWOOD. 857 00:44:44,415 --> 00:44:45,717 MILES HAYWOOD'S KID? 858 00:44:45,717 --> 00:44:47,252 HE CAME IN HERE ONCE AROUND CHRISTMAS 859 00:44:47,252 --> 00:44:48,153 WITH HIS PARENTS. 860 00:44:48,153 --> 00:44:49,620 NOT LAST WEEK? WEDNESDAY? THURSDAY? 861 00:44:49,620 --> 00:44:50,956 I HARDLY EVER SEE ANY HIGH SCHOOL KIDS 862 00:44:50,956 --> 00:44:52,623 IN HERE DURING THE WEEK. 863 00:44:52,623 --> 00:44:53,725 EXCEPT JUSTIN PENDLETON. 864 00:44:53,725 --> 00:44:55,060 WHO'S JUSTIN PENDLETON? 865 00:44:55,060 --> 00:44:56,427 HE USED TO COME IN WITH HIS FATHER ALL THE TIME, 866 00:44:56,427 --> 00:44:58,830 BUT I THINK HIS PARENTS SPLIT UP. 867 00:44:58,830 --> 00:45:00,732 NOW HE COMES IN BY HIMSELF. 868 00:45:00,732 --> 00:45:02,467 HE'S A SENIOR OVER AT JEFFERSON. 869 00:45:02,467 --> 00:45:04,770 RICHARD HAYWOOD'S A SENIOR OVER AT JEFFERSON. 870 00:45:04,770 --> 00:45:06,404 JUSTIN EATS HERE ALONE? 871 00:45:06,404 --> 00:45:08,106 HE ALWAYS BRINGS A BOOK. 872 00:45:08,106 --> 00:45:09,941 HE'S A BIT OF A LONER, I'D SAY, 873 00:45:09,941 --> 00:45:11,109 BUT A BRILLIANT KID. 874 00:45:11,109 --> 00:45:12,778 YOU SHOULD HEAR HIM TALK. 875 00:45:13,945 --> 00:45:16,081 WHEN WAS HE IN HERE LAST? 876 00:45:18,784 --> 00:45:20,485 THE FIFTH. 7:30 P.M. 877 00:45:21,787 --> 00:45:23,421 WHAT TIME DID HE LEAVE? 878 00:45:23,421 --> 00:45:24,489 I'D SAY ABOUT 9:00. 879 00:45:24,489 --> 00:45:25,590 DO YOU KNOW WHAT HE ATE? 880 00:45:25,590 --> 00:45:27,058 DO YOU HAVE THE COMPUTER RECORDS? 881 00:45:32,497 --> 00:45:34,132 JUSTIN... 882 00:45:34,132 --> 00:45:36,902 HI. CASSIE MAYWEATHER WITH THE SAN BENITO POLICE. 883 00:45:38,904 --> 00:45:41,239 YOU'RE A... POLICE OFFICER? 884 00:45:41,239 --> 00:45:43,341 I'M A HOMICIDE INVESTIGATOR. 885 00:45:43,341 --> 00:45:44,876 THEY SAID AT SCHOOL THAT I MIGHT FIND YOU HERE. 886 00:45:44,876 --> 00:45:46,677 CAN I ASK YOU A COUPLE QUESTIONS? 887 00:45:46,677 --> 00:45:47,913 SURE. 888 00:45:47,913 --> 00:45:49,514 YOU HAD DINNER AT THE MAISON SAINT CROIX 889 00:45:49,514 --> 00:45:50,949 ON THE FIFTH OF THIS MONTH? 890 00:45:50,949 --> 00:45:53,251 [CORRECTING PRONUNCIATION] MAISON SAINT CROIX. 891 00:45:53,251 --> 00:45:55,353 OH...THANK YOU. 892 00:45:55,353 --> 00:45:58,756 THE FIFTH WAS A THURSDAY, AND THEY HAD A CAVIAR APPETIZER. 893 00:45:58,756 --> 00:46:00,591 DID YOU HAVE IT? 894 00:46:00,591 --> 00:46:04,262 UM...YEAH. I--I MIGHT HAVE. 895 00:46:04,262 --> 00:46:06,731 CAN YOU TELL ME WHAT HAPPENED? 896 00:46:06,731 --> 00:46:07,833 DO YOU KNOW RICHARD HAYWOOD? 897 00:46:07,833 --> 00:46:10,435 EVERYONE KNOWS HIM. 898 00:46:10,435 --> 00:46:12,003 IS HE INVOLVED IN THIS? 899 00:46:12,003 --> 00:46:13,471 IS HE A FRIEND OF YOURS? 900 00:46:13,471 --> 00:46:14,840 NO. 901 00:46:14,840 --> 00:46:16,975 I MEAN, I-- I TUTORED HIM 902 00:46:16,975 --> 00:46:18,676 FOR HIS BIO S.A.T. LAST YEAR, 903 00:46:18,676 --> 00:46:20,778 BUT I--WE'RE NOT... 904 00:46:21,712 --> 00:46:23,248 WE DON'T OWN MUCH IN COMMON. 905 00:46:23,248 --> 00:46:24,115 HMM. 906 00:46:24,115 --> 00:46:25,650 ARE YOU IN HIS STUDY GROUP? 907 00:46:25,650 --> 00:46:28,486 UH, NO. WHAT STUDY GROUP? 908 00:46:28,486 --> 00:46:29,921 WHEN YOU LEFT THE RESTAURANT ON THURSDAY, 909 00:46:29,921 --> 00:46:31,722 DID YOU TAKE LEFTOVERS WITH YOU? 910 00:46:31,722 --> 00:46:32,891 NO. 911 00:46:32,891 --> 00:46:34,025 YOU DIDN'T TAKE LEFTOVERS 912 00:46:34,025 --> 00:46:35,060 TO YOUR FRIENDS AT THE STUDY GROUP? 913 00:46:35,060 --> 00:46:37,028 GIVE THEM SOMETHING TO EAT? 914 00:46:37,028 --> 00:46:39,998 LOOK, I--I TOLD YOU. I BARELY KNOW HIM. 915 00:46:39,998 --> 00:46:42,834 HE MAKES FUN OF ME IN CLASS. 916 00:46:42,834 --> 00:46:44,435 WHY WOULD HE DO THAT? 917 00:46:44,435 --> 00:46:47,238 'CAUSE, UM... THAT'S WHAT HE'S LIKE. 918 00:46:47,238 --> 00:46:49,875 I MEAN, HE MAKES FUN OF EVERYONE. 919 00:46:49,875 --> 00:46:52,343 HE'S ONE OF THE COOL KIDS. 920 00:46:52,343 --> 00:46:55,246 WHAT MAKES HIM COOL? 921 00:46:55,246 --> 00:46:59,084 YOU KNOW. HE'S SMART, HE'S RICH. 922 00:46:59,084 --> 00:47:01,252 HE'S WITTY AND EVERYONE LIKES HIM. 923 00:47:01,252 --> 00:47:03,354 AND YOU DON'T? 924 00:47:03,354 --> 00:47:05,156 HMM. 925 00:47:05,156 --> 00:47:07,825 YEAH, I KNEW KIDS LIKE THAT. 926 00:47:07,825 --> 00:47:10,295 SUPERSTARS OF HIGH SCHOOL. 927 00:47:10,295 --> 00:47:13,899 TRUST ME--5 YEARS FROM NOW, NOBODY'LL CARE WHO THEY ARE. 928 00:47:14,900 --> 00:47:17,802 YEAH, WELL, RICHARD WILL ALWAYS BE COOL. 929 00:47:17,802 --> 00:47:19,770 I MEAN, HIS DADDY'S RICH. 930 00:47:19,770 --> 00:47:20,906 AND I HATE TO ADMIT IT, 931 00:47:20,906 --> 00:47:22,207 BUT HE'S ACTUALLY PRETTY SMART. 932 00:47:22,207 --> 00:47:24,375 I MEAN, HE'S LAZY AND HE DIDN'T STUDY, 933 00:47:24,375 --> 00:47:26,978 BUT HE STILL GOT, LIKE, A 710 ON THAT BIO S.A.T. 934 00:47:26,978 --> 00:47:29,347 KIND OF SPUN ME OUT. YOU KNOW? 935 00:47:29,347 --> 00:47:30,949 SPINNING OUT, HUH? 936 00:47:32,918 --> 00:47:34,719 YOU SEEM TO KNOW HIM QUITE WELL, ACTUALLY. 937 00:47:34,719 --> 00:47:36,321 WELL, YOU CAN TELL 938 00:47:36,321 --> 00:47:38,089 JUST BY HIS BEHAVIOR IN CLASS. 939 00:47:38,089 --> 00:47:40,391 [CELL PHONE RINGING] SORRY. 940 00:47:42,793 --> 00:47:44,095 YEAH? CASSIE, WHERE YOU BEEN? 941 00:47:44,095 --> 00:47:45,663 EVERYBODY'S LOOKING FOR YOU. 942 00:47:45,663 --> 00:47:47,332 SAM I.D.'d THE SUSPECT. 943 00:47:47,332 --> 00:47:49,200 WHO IS IT? IS HE IN CUSTODY? 944 00:47:49,200 --> 00:47:50,235 I DON'T KNOW. ASK SAM. 945 00:47:50,235 --> 00:47:51,937 HE'S IN CHARGE OF THE CASE NOW. 946 00:47:51,937 --> 00:47:54,906 S.I.D. IS OVER THERE NOW COLLECTING EVIDENCE. 947 00:48:06,417 --> 00:48:07,785 HI, CASS. 948 00:48:07,785 --> 00:48:09,587 LOOK AT THIS, SIR. 949 00:48:10,688 --> 00:48:11,923 THAT COULD BE A MATCH. 950 00:48:11,923 --> 00:48:12,991 GOOD--LOG THAT. 951 00:48:12,991 --> 00:48:14,592 I WANT SAMPLES OF FABRICS, SOILS, 952 00:48:14,592 --> 00:48:17,628 ANY MOLDS, PLANTS, IN HERE AND OUTSIDE. OK? 953 00:48:17,628 --> 00:48:18,796 YES, SIR. GOOD. 954 00:48:18,796 --> 00:48:19,864 HEY, JOHN'S FOUND A SIGNIFICANT STASH 955 00:48:19,864 --> 00:48:21,332 OF MARIJUANA BUDS. 956 00:48:21,332 --> 00:48:23,434 YOU MIND IF WE SMOKE UP WHILE WE WORK? 957 00:48:23,434 --> 00:48:24,469 YES, I DO. 958 00:48:24,469 --> 00:48:25,470 [SNICKERS] 959 00:48:28,606 --> 00:48:30,541 SO, WHO IS HE? 960 00:48:30,541 --> 00:48:31,977 RAYMOND LEE FEATHERS. 961 00:48:31,977 --> 00:48:34,179 HE'S A JANITOR OVER AT JEFFERSON HIGH. 962 00:48:34,179 --> 00:48:36,147 YOU SEE, I COMPILED A LIST OF EVERYONE AT THE SCHOOL, 963 00:48:36,147 --> 00:48:38,083 STUDENTS AND STAFF, WHO MIGHT HAVE STOLEN 964 00:48:38,083 --> 00:48:39,484 RICHARD HAYWOOD'S BOOTS. 965 00:48:39,484 --> 00:48:42,220 THEN I CROSS-INDEXED THAT AGAINST CARPET PURCHASES, 966 00:48:42,220 --> 00:48:44,155 AND OUT CAME THIS. 967 00:48:46,357 --> 00:48:49,160 APPARENTLY, HE SOLD GRASS TO THE KIDS AT SCHOOL. 968 00:48:51,729 --> 00:48:52,964 GOOD WORK. 969 00:48:52,964 --> 00:48:54,332 THANK YOU. 970 00:48:54,332 --> 00:48:55,933 WHERE IS HE? 971 00:48:55,933 --> 00:48:56,968 I DON'T KNOW. 972 00:48:56,968 --> 00:48:58,436 HE SEEMS LIKE HE TOOK OFF. 973 00:49:00,905 --> 00:49:02,040 DID YOU RUN HIM FOR PRIORS? 974 00:49:02,040 --> 00:49:03,574 YEAH. A COUPLE D.U.I.s. 975 00:49:03,574 --> 00:49:05,176 ONE MINOR POT BUST, 976 00:49:05,176 --> 00:49:06,611 BUT HE HASN'T SHOWN UP FOR WORK 977 00:49:06,611 --> 00:49:09,080 SINCE THE DAY WE TALKED TO RICHARD HAYWOOD OVER THERE. 978 00:49:10,715 --> 00:49:12,183 DID YOU FIND THE BOOTS? 979 00:49:12,183 --> 00:49:14,719 NOT YET, BUT WE MAY HAVE A MATCH 980 00:49:14,719 --> 00:49:16,454 ON THE YELLOW CARPET FIBERS. 981 00:49:16,454 --> 00:49:18,889 WE WON'T GET ANYTHING ON THE VEHICLE FIBERS, 982 00:49:18,889 --> 00:49:20,258 YOU KNOW, TILL WE FIND HIS CAR. 983 00:49:20,258 --> 00:49:23,461 BUT HE'S GOT A BIG, BIG, COLLECTION OF PORNO FILMS. 984 00:49:23,461 --> 00:49:24,262 MOSTLY BONDAGE. 985 00:49:24,262 --> 00:49:25,896 Both: JUST LIKE THE PROFILE. 986 00:49:25,896 --> 00:49:27,332 YEAH. 987 00:49:27,332 --> 00:49:28,333 WHAT? 988 00:49:31,369 --> 00:49:32,470 [SQUISH] 989 00:49:33,904 --> 00:49:36,107 WELL, HE'S NOT A NEATNESS FREAK. 990 00:49:36,107 --> 00:49:37,308 WHAT ARE YOU SAYING? 991 00:49:37,308 --> 00:49:38,776 HE'S SLOPPY ENOUGH TO LEAVE BEHIND 992 00:49:38,776 --> 00:49:40,111 FOOTPRINTS OF STOLEN SHOES, 993 00:49:40,111 --> 00:49:42,380 BUT HE'S SMART ENOUGH TO STEAL THEM IN ADVANCE? 994 00:49:42,380 --> 00:49:44,449 OH, COME ON, CASSIE. THIS IS OUR GUY--NO QUESTION. 995 00:49:44,449 --> 00:49:46,784 YEAH, THAT'S GREAT. YOU FIND ANY CAVIAR JARS? 996 00:49:46,784 --> 00:49:49,020 OH, COME ON. WAIT A MINUTE. 997 00:49:49,020 --> 00:49:50,521 YOU KNOW WHAT? 998 00:49:50,521 --> 00:49:52,223 YOU'RE TICKED THAT I GOT HIM, AREN'T YOU? 999 00:49:52,223 --> 00:49:55,426 NO, IF YOU GOT HIM, I'M HAPPY FOR YOU. 1000 00:49:55,426 --> 00:49:56,427 CASSIE, I'VE BEEN THINKING. 1001 00:49:56,427 --> 00:49:57,695 AFTER WE CLOSE THIS CASE, 1002 00:49:57,695 --> 00:49:59,997 MAYBE WE SHOULD LOOK FOR DIFFERENT PARTNERS. 1003 00:49:59,997 --> 00:50:02,500 MIGHT BE BETTER. 1004 00:50:02,500 --> 00:50:04,169 WHATEVER YOU WANT. 1005 00:50:05,670 --> 00:50:06,671 GOOD. 1006 00:50:08,806 --> 00:50:09,907 NICE WORK, GUYS. 1007 00:50:09,907 --> 00:50:12,477 YOU KNOW WHAT? I GOTTA TAKE A PISS. 1008 00:50:12,477 --> 00:50:15,280 DON'T WORRY, I WON'T CONTAMINATE ANY EVIDENCE. 1009 00:50:16,981 --> 00:50:18,749 SHE PEES STANDING UP, THAT ONE. 1010 00:50:18,749 --> 00:50:19,750 AL... 1011 00:50:19,750 --> 00:50:20,918 Sam: THIS IS MY PARTNER. 1012 00:50:20,918 --> 00:50:22,420 DON'T TALK ABOUT HER LIKE THAT, PLEASE. 1013 00:50:22,420 --> 00:50:24,622 YOU'RE NOT SLEEPING WITH HER ALREADY, ARE YOU? 1014 00:50:24,622 --> 00:50:26,124 WHAT? YOU WILL. 1015 00:50:26,124 --> 00:50:27,825 THAT'S CASSIE'S M.O. 1016 00:50:27,825 --> 00:50:28,926 SHE LETS YOU GET CLOSE 1017 00:50:28,926 --> 00:50:30,695 AND THEN SHE PUSHES YOU AWAY. 1018 00:50:30,695 --> 00:50:32,597 YOU ASK HER WHAT'S WRONG, SHE PICKS A FIGHT. 1019 00:50:32,597 --> 00:50:35,333 WHY DO YOU THINK YOU'RE WORKING WITH HER? 1020 00:50:35,333 --> 00:50:37,235 NO ONE ELSE WILL. [SNICKERS] 1021 00:50:40,471 --> 00:50:43,208 [CRASH, CLANG] 1022 00:51:16,040 --> 00:51:17,708 [SCREECHING] 1023 00:51:19,344 --> 00:51:20,778 AAH! 1024 00:51:28,586 --> 00:51:30,087 [SQUEALING] 1025 00:51:31,656 --> 00:51:34,259 Cassie: LOOKS LIKE A BODY DUMP. 1026 00:51:38,563 --> 00:51:41,132 Man: DON'T LOCK THAT DOOR, JEFF! 1027 00:51:41,132 --> 00:51:43,468 I'M NOT GOING OUT THAT DOOR! 1028 00:51:53,778 --> 00:51:55,546 Radio: WHAT'S THE VICTIM'S STATUS? OVER. 1029 00:51:55,546 --> 00:51:58,149 NOW WE KNOW WHERE THAT BABOON HAIR CAME FROM. 1030 00:51:58,149 --> 00:52:00,685 [LAUGHS] YEAH. 1031 00:52:00,685 --> 00:52:01,752 [GROANS] 1032 00:52:01,752 --> 00:52:03,321 IT'S OK. 1033 00:52:04,389 --> 00:52:07,425 Iron Maiden, on radio: FOR IT IS A HUMAN NUMBER. 1034 00:52:07,425 --> 00:52:12,597 IT'S NUMBER IS 666. 1035 00:52:12,597 --> 00:52:13,631 * YEAH * 1036 00:52:13,631 --> 00:52:16,167 * WHOO AHH * 1037 00:52:16,167 --> 00:52:19,837 * AHH AHH * 1038 00:52:19,837 --> 00:52:25,142 * AHH AHH OW * 1039 00:52:25,142 --> 00:52:27,645 HEY, LISA. 1040 00:52:27,645 --> 00:52:28,446 YOU WANT A RIDE? 1041 00:52:28,446 --> 00:52:30,047 WE ALREADY DID THAT, RICHARD. 1042 00:52:30,047 --> 00:52:31,148 AH, COME ON. 1043 00:52:31,148 --> 00:52:32,983 THAT'S NOT WHAT I'M TALKING ABOUT. 1044 00:52:32,983 --> 00:52:35,119 I WANT TO TALK TO YOU. 1045 00:52:35,119 --> 00:52:36,687 DO YOU WANT ME TO BEG? 1046 00:52:36,687 --> 00:52:37,588 I'M PLEADING. 1047 00:52:37,588 --> 00:52:38,789 YOU'RE GONNA GET IN AN ACCIDENT. 1048 00:52:38,789 --> 00:52:41,892 NO--I DON'T-- PLEASE. I DON'T CARE. 1049 00:52:41,892 --> 00:52:45,530 'CAUSE YOU MAKE ME SAD. 1050 00:52:45,530 --> 00:52:46,364 COME ON. 1051 00:52:46,364 --> 00:52:49,467 * AS THEY START TO CRY * 1052 00:52:49,467 --> 00:52:51,302 * HANDS HELD TO THE SKY * 1053 00:52:51,302 --> 00:52:53,771 COME ON. IT'S FUN IN HERE. 1054 00:52:53,771 --> 00:52:56,841 * THE FIRES ARE BURNING BRIGHT * 1055 00:52:56,841 --> 00:52:59,910 [LISA GIGGLES] 1056 00:52:59,910 --> 00:53:02,313 * SATAN'S WORK IS DONE * 1057 00:53:02,313 --> 00:53:04,249 * 666 * 1058 00:53:04,249 --> 00:53:06,717 * THE NUMBER OF THE BEAST... * 1059 00:53:19,864 --> 00:53:22,733 HELLO, JUSTIN. 1060 00:53:22,733 --> 00:53:24,335 HOW YOU DOING? 1061 00:53:30,207 --> 00:53:32,109 WHAT ARE, UH... 1062 00:53:32,109 --> 00:53:33,578 WHAT ARE YOU DOING HERE? 1063 00:53:40,017 --> 00:53:42,453 YOU STOOD ME UP FOR THAT SLUT? 1064 00:53:42,453 --> 00:53:43,688 SHE'S NOT A SLUT. 1065 00:53:43,688 --> 00:53:46,991 DID YOU TELL HER ANYTHING ABOUT US? 1066 00:53:46,991 --> 00:53:49,327 OF COURSE NOT. 1067 00:53:49,327 --> 00:53:50,428 OF COURSE NOT. 1068 00:53:50,428 --> 00:53:51,596 DID YOU FUCK HER? 1069 00:53:51,596 --> 00:53:53,163 I WAS HELPING HER WITH HER PHYSICS-- 1070 00:53:53,163 --> 00:53:55,833 YOU FUCKED HER. I SAW YOU FUCK HER. 1071 00:53:59,304 --> 00:54:01,672 WE KISSED. 1072 00:54:03,140 --> 00:54:04,442 YOU KISSED? 1073 00:54:04,442 --> 00:54:06,644 THAT WAS IT, I SWEAR. 1074 00:54:08,813 --> 00:54:11,349 AH, JUSTIN. 1075 00:54:12,550 --> 00:54:14,985 YOU HELPED LISA, AND YOU DIDN'T EVEN GET LAID? 1076 00:54:18,456 --> 00:54:19,457 WHAT A SHMUCK. 1077 00:54:19,457 --> 00:54:21,158 SHE'S NOT LIKE THAT. 1078 00:54:21,158 --> 00:54:22,327 BULLSHIT. 1079 00:54:22,327 --> 00:54:24,362 THAT CHICK SPREADS LIKE PEANUT BUTTER. 1080 00:54:36,106 --> 00:54:37,308 I THINK YOU'D BE SURPRISED 1081 00:54:37,308 --> 00:54:39,009 WHAT A GIRL WITHOUT A DADDY'LL DO 1082 00:54:39,009 --> 00:54:40,711 FOR A LITTLE MALE ATTENTION. 1083 00:55:00,264 --> 00:55:03,133 [HEAVY BREATHING] 1084 00:55:03,133 --> 00:55:05,636 Richard: OH, YOU'RE SO PRETTY. 1085 00:55:09,106 --> 00:55:11,676 [TELEPHONE RINGING] 1086 00:55:15,813 --> 00:55:18,315 [RING] 1087 00:55:22,119 --> 00:55:24,989 [RING] 1088 00:55:28,926 --> 00:55:31,362 [RING] 1089 00:55:31,362 --> 00:55:33,898 Richard: DO YOU HATE ME? 1090 00:55:33,898 --> 00:55:35,566 I HAD TO DO IT. 1091 00:55:35,566 --> 00:55:36,967 THE LAST THING I WANT TO DO IS HURT YOU, 1092 00:55:36,967 --> 00:55:39,570 BUT I HAD TO SHOW YOU WHAT SHE'S REALLY LIKE. 1093 00:55:39,570 --> 00:55:41,372 AND THAT'S WHAT SHE'S LIKE. 1094 00:55:44,809 --> 00:55:47,277 SHE'S NOT GOOD ENOUGH FOR YOU. 1095 00:55:47,277 --> 00:55:48,613 SHE DOESN'T APPRECIATE YOU. 1096 00:55:48,613 --> 00:55:50,047 SHE JUST--SHE'S LIKE YOUR MOTHER AND YOUR FATHER 1097 00:55:50,047 --> 00:55:51,849 AND EVERYONE ELSE. 1098 00:55:52,917 --> 00:55:56,020 I'M THE ONLY PERSON WHO REALLY CARES ABOUT YOU. 1099 00:55:57,021 --> 00:55:58,556 YOU KNOW, I THINK I'M, LIKE, THE ONLY PERSON 1100 00:55:58,556 --> 00:56:01,559 WHO SEES HOW INCREDIBLE YOU REALLY ARE. 1101 00:56:01,559 --> 00:56:03,728 DON'T--DON'T GO AWAY, JUSTIN. 1102 00:56:03,728 --> 00:56:05,530 COME ON. WHAT WE DID... 1103 00:56:05,530 --> 00:56:09,534 TOGETHER... 1104 00:56:09,534 --> 00:56:11,769 MAN, HOW MANY PEOPLE HAVE DONE THAT? 1105 00:56:13,604 --> 00:56:17,274 WE PROVED SOMETHING TO EACH OTHER. 1106 00:56:17,274 --> 00:56:19,910 WE SHOWED WHAT WE'RE CAPABLE OF. 1107 00:56:21,479 --> 00:56:23,648 THERE'S NO LIMITS FOR MEN LIKE US. 1108 00:56:30,588 --> 00:56:32,557 DID YOU HEAR ABOUT RAY? 1109 00:56:35,125 --> 00:56:36,961 THEY'RE ON TO HIM. 1110 00:56:39,196 --> 00:56:41,866 JUST ONE LAST THING TO DO, AND THEN WE'RE HOME FREE. 1111 00:56:41,866 --> 00:56:42,867 RIGHT? 1112 00:56:43,868 --> 00:56:45,603 DO WE HAVE TO? 1113 00:56:46,904 --> 00:56:50,040 YOU TELL ME. 1114 00:56:50,040 --> 00:56:51,408 DO WE HAVE TO? 1115 00:57:42,059 --> 00:57:43,460 RICHARD? 1116 00:57:43,460 --> 00:57:44,862 IS THAT YOU? 1117 00:57:44,862 --> 00:57:46,430 WHAT'D YOU BRING, THE POMPOMS? 1118 00:57:46,430 --> 00:57:48,699 SHH. 1119 00:57:48,699 --> 00:57:51,068 I BROUGHT SOMETHING TO HELP YOU SLEEP. 1120 00:57:54,304 --> 00:57:56,574 WHAT THE FUCK? 1121 00:57:56,574 --> 00:57:59,009 [BANG, SPLATTER] 1122 00:58:04,281 --> 00:58:06,383 MY PHYSICS TEST. I GOT A B . 1123 00:58:06,383 --> 00:58:08,553 YOU'RE A GENIUS. 1124 00:58:08,553 --> 00:58:10,087 DON'T. 1125 00:58:10,921 --> 00:58:12,957 HEY, I HAVE SOMETHING FOR YOU. 1126 00:58:14,424 --> 00:58:15,425 WHAT IS THIS? 1127 00:58:15,425 --> 00:58:17,094 YOU'RE QUITE THE SLUT. 1128 00:58:18,428 --> 00:58:20,264 WHAT? 1129 00:58:20,264 --> 00:58:21,532 HEY! 1130 00:58:21,532 --> 00:58:23,100 WHAT?! 1131 00:58:23,100 --> 00:58:24,835 [GIRLS GASP] 1132 00:58:39,283 --> 00:58:40,785 MMM. 1133 00:58:43,120 --> 00:58:44,989 [SIGHS] 1134 00:58:52,329 --> 00:58:54,331 HOW LONG HAS HE BEEN IN HERE? 1135 00:58:54,331 --> 00:58:55,633 NURSE ON THE NIGHT SHIFT 1136 00:58:55,633 --> 00:58:57,802 SAID HE CAME IN ABOUT 4:00. 1137 00:59:03,507 --> 00:59:05,109 [SAM GRUNTS] 1138 00:59:10,247 --> 00:59:13,017 HOW YOU FEELING? 1139 00:59:13,017 --> 00:59:14,752 OH, I'M OK. 1140 00:59:15,620 --> 00:59:17,655 I'M A LITTLE SORE, BUT... 1141 00:59:19,790 --> 00:59:21,325 WHAT ARE YOU DOING HERE? 1142 00:59:21,325 --> 00:59:23,894 I--YOU KNOW. 1143 00:59:23,894 --> 00:59:25,696 FIGURED YOU'D WANT AN IMMEDIATE REPORT. 1144 00:59:25,696 --> 00:59:29,066 OH...YEAH, I DO. 1145 00:59:31,969 --> 00:59:33,804 SO... 1146 00:59:35,439 --> 00:59:36,974 WE GOT EVERYTHING. 1147 00:59:36,974 --> 00:59:39,309 EXCELLENT. 1148 00:59:39,309 --> 00:59:40,410 THE BOOTS? 1149 00:59:40,410 --> 00:59:42,012 THAT'S AN AFFIRMATIVE. 1150 00:59:42,012 --> 00:59:44,248 AND A PAIR OF TIN SNIPS AND A PHILLIPS HEAD. 1151 00:59:44,248 --> 00:59:47,251 ALL THE TRACES OF BLOOD. 1152 00:59:47,251 --> 00:59:48,653 AND A FINGER, RIGHT? 1153 00:59:48,653 --> 00:59:50,054 WAS IT IN A JAR BEHIND 1154 00:59:50,054 --> 00:59:52,156 A STACK OF OLD MAGAZINES, OR WAS IT 1155 00:59:52,156 --> 00:59:54,625 IN THE FREEZER UNDER THE FROZEN TURKEY THIGH? 1156 00:59:56,961 --> 00:59:59,396 BEHIND THE VANILLA FUDGE ICE CREAM. 1157 00:59:59,396 --> 01:00:00,898 HMM. 1158 01:00:02,299 --> 01:00:03,934 WELL, GOOD WORK. 1159 01:00:03,934 --> 01:00:05,602 ALL YOU NEED NOW IS A CONFESSION. 1160 01:00:05,602 --> 01:00:08,706 WELL, THERE WON'T BE ONE. 1161 01:00:08,706 --> 01:00:11,608 RAYMOND FEATHERS COMMITTED SUICIDE LAST NIGHT. 1162 01:00:11,608 --> 01:00:13,043 SUICIDE? 1163 01:00:13,043 --> 01:00:14,044 YEAH. 1164 01:00:16,280 --> 01:00:18,082 IT WAS A GUN TO THE HEAD. 1165 01:00:18,082 --> 01:00:20,985 POWDER BURNS, G.S.R. ON HIS RIGHT HAND. 1166 01:00:20,985 --> 01:00:22,519 YEAH, WELL, WHEN WAS THE LAST TIME 1167 01:00:22,519 --> 01:00:23,788 YOU HEARD OF A RITUAL MUTILATOR, 1168 01:00:23,788 --> 01:00:26,256 AN IMPULSIVE, SERIAL-TYPE KILLER, 1169 01:00:26,256 --> 01:00:27,958 COMMITTING SUICIDE? 1170 01:00:27,958 --> 01:00:28,826 UHH! 1171 01:00:28,826 --> 01:00:29,860 WHAT ARE YOU DOING? 1172 01:00:29,860 --> 01:00:31,361 I CAN'T THINK OF ONE. 1173 01:00:31,361 --> 01:00:32,930 PSYCHOS WANT TO GET CAUGHT. 1174 01:00:32,930 --> 01:00:34,598 OH, WAIT. YOU GOT TO LIE DOWN. 1175 01:00:34,598 --> 01:00:35,833 YOU KNOW WHAT? I'M ACTUALLY FEELING 1176 01:00:35,833 --> 01:00:37,034 A LOT BETTER. THANK YOU. 1177 01:00:37,034 --> 01:00:37,835 WELL, I-- 1178 01:00:37,835 --> 01:00:39,569 I THINK THESE KIDS DID THIS, 1179 01:00:39,569 --> 01:00:41,038 AND I THINK THEY'RE NOT EVEN HIDING IT, 1180 01:00:41,038 --> 01:00:43,607 AND I THINK THEY WANT US TO KNOW. 1181 01:00:43,607 --> 01:00:46,143 SO, LET'S GET TO KNOW THEM A LITTLE BETTER. 1182 01:00:47,211 --> 01:00:48,879 TURN AROUND. I WANT TO GET DRESSED. 1183 01:00:48,879 --> 01:00:51,081 OH, COME ON, WE GOT RAY ALL OVER THIS THING. 1184 01:00:51,081 --> 01:00:51,982 PLUS, HE RAN. 1185 01:00:51,982 --> 01:00:53,117 WHY DID HE RUN IF HE DIDN'T DO IT? 1186 01:00:53,117 --> 01:00:54,484 I DON'T KNOW, BUT THERE'S A REASON. 1187 01:00:54,484 --> 01:00:56,186 IS THIS JEALOUSY 'CAUSE I GOT HIM AND YOU DIDN'T? 1188 01:00:56,186 --> 01:00:58,022 OR ARE YOU SO OBSESSED WITH RICHARD HAYWOOD 1189 01:00:58,022 --> 01:01:00,490 YOU CAN'T EVEN THINK STRAIGHT? 1190 01:01:00,490 --> 01:01:01,625 LOOK, I'M SORRY. I DIDN'T-- 1191 01:01:01,625 --> 01:01:02,893 GET OFF OF ME. 1192 01:01:02,893 --> 01:01:04,628 YOU'VE BEEN ANGLING FOR THIS THE WHOLE TIME. 1193 01:01:04,628 --> 01:01:05,796 PUSH ME OUT, TAKE OVER-- 1194 01:01:05,796 --> 01:01:07,331 PUSH YOU OUT? I TRIED TO TURN IT DOWN. 1195 01:01:07,331 --> 01:01:09,499 THEY MADE ME TAKE IT, 'CAUSE THEY THINK 1196 01:01:09,499 --> 01:01:10,534 YOU'RE LOSING IT. 1197 01:01:10,534 --> 01:01:13,704 WHO THINKS I'M LOSING IT? WHO? 1198 01:01:13,704 --> 01:01:15,672 ROD? 1199 01:01:15,672 --> 01:01:18,275 YOU KNOW WHAT? I DON'T CARE IF I'M LOSING IT. 1200 01:01:18,275 --> 01:01:19,844 I'M RIGHT. 1201 01:02:05,389 --> 01:02:06,924 [DOG BARKING] 1202 01:02:06,924 --> 01:02:08,725 Woman: HEY! HEY! 1203 01:02:08,725 --> 01:02:10,928 [CALLING DOG] 1204 01:02:28,745 --> 01:02:31,548 Woman: HOW DID YOU COME BY THIS? 1205 01:02:31,548 --> 01:02:32,817 WELL, IT WAS THE WEIRDEST THING. 1206 01:02:32,817 --> 01:02:34,819 I WAS DRIVING BY THE HOUSE, 1207 01:02:34,819 --> 01:02:37,087 A TRASH CAN GOT KNOCKED OVER, AND, UH... 1208 01:02:37,087 --> 01:02:39,256 THE STUFF WAS BLOWING OVER IN THE STREET. 1209 01:02:39,256 --> 01:02:40,157 WHAT A BREAK. 1210 01:02:40,157 --> 01:02:41,758 SOME OF THIS WILL BE THE MOTHER'S 1211 01:02:41,758 --> 01:02:43,693 AND SOME WILL BE FROM THE BOY. 1212 01:02:43,693 --> 01:02:45,429 WHAT IS THIS? IS THIS... 1213 01:02:45,429 --> 01:02:47,097 DON'T ASK, DON'T TELL. 1214 01:02:47,097 --> 01:02:49,934 WE WON'T KNOW UNTIL WE GET THE REPORT BACK, 1215 01:02:49,934 --> 01:02:52,636 SEE WHAT, IF ANYTHING, MATCHES THE DNA OF THE PUKE. 1216 01:02:52,636 --> 01:02:53,838 LUCKY YOUR KID WAS SO SQUEAMISH. 1217 01:02:53,838 --> 01:02:55,305 HE GAVE US SOME BLOOD WITH HIS DINNER. 1218 01:02:55,305 --> 01:02:57,875 JUST MAKE SURE YOU GET A SIGNED PURCHASE ORDER. 1219 01:02:57,875 --> 01:02:59,709 HOW LONG BEFORE WE SEE ITS MATCH? 1220 01:02:59,709 --> 01:03:00,978 DEPENDS ON THE LAB. 1221 01:03:00,978 --> 01:03:02,579 DO WANT ME TO CALL THEM FOR YOU? 1222 01:03:02,579 --> 01:03:03,881 NO! LAST TIME YOU CALLED, 1223 01:03:03,881 --> 01:03:05,883 IT TOOK ME HALF AN HOUR TO CALM THE GUY DOWN. 1224 01:03:05,883 --> 01:03:07,684 WELL, JUST MAKE IT FAST, ALL RIGHT? BYE. 1225 01:03:07,684 --> 01:03:09,253 I'LL TAKE CARE OF IT. OK. SEE YA. 1226 01:03:17,594 --> 01:03:19,129 WHAT'S THIS? 1227 01:03:19,129 --> 01:03:21,131 IT'S A PURCHASE ORDER FOR THE DNA ANALYSIS. 1228 01:03:21,131 --> 01:03:24,334 I KNOW WHAT IT IS. THIS CASE IS CLOSED. 1229 01:03:24,334 --> 01:03:25,269 CLOSED! 1230 01:03:25,269 --> 01:03:27,471 NOW, IF YOU CAN'T UNDERSTAND THAT, 1231 01:03:27,471 --> 01:03:28,939 THEN MAYBE WE-- 1232 01:03:34,744 --> 01:03:36,881 YOU NEED SOME TIME OFF? 1233 01:03:36,881 --> 01:03:38,883 NOPE. I'M FINE. 1234 01:03:38,883 --> 01:03:41,151 YOU'RE NOT FINE. 1235 01:03:41,151 --> 01:03:42,586 YOU'RE BRILLIANT SOMETIMES, 1236 01:03:42,586 --> 01:03:45,689 BUT YOU'RE NEVER REALLY FINE, ARE YOU, CASS? 1237 01:03:45,689 --> 01:03:48,058 YOU WANNA SEE DOC SLUZER AGAIN? 1238 01:03:49,493 --> 01:03:50,895 NO. 1239 01:03:50,895 --> 01:03:52,897 THEN NO MORE ON THIS CASE. 1240 01:03:52,897 --> 01:03:55,966 NOT ANOTHER MINUTE. NOT ANOTHER PENNY. 1241 01:03:55,966 --> 01:03:58,368 I'VE ABOUT HAD IT WITH YOU. 1242 01:03:59,970 --> 01:04:02,639 YOU HEAR ME? 1243 01:04:02,639 --> 01:04:03,974 YEP. 1244 01:04:19,056 --> 01:04:20,324 HEY, CORETTA, IT'S CASS. 1245 01:04:20,324 --> 01:04:22,526 LISTEN, I'M GONNA NEED ANOTHER DAY OR TWO 1246 01:04:22,526 --> 01:04:24,328 ON THAT PURCHASE ORDER. 1247 01:04:24,328 --> 01:04:26,330 NO, NO, NO, JUST BOOKKEEPING, YOU KNOW. 1248 01:04:26,330 --> 01:04:28,332 CHANGE IN THE SOFTWARE, THINGS LIKE THAT. 1249 01:04:28,332 --> 01:04:30,334 YEAH. 1250 01:04:30,334 --> 01:04:32,069 SO YOU'LL GO AHEAD AND RUN AN ANALYSIS 1251 01:04:32,069 --> 01:04:33,170 ON THAT PUKE FOR ME? 1252 01:04:33,170 --> 01:04:35,973 THANKS, HONEY. [HANGS UP] 1253 01:04:37,641 --> 01:04:39,209 [SIGHS] 1254 01:04:41,311 --> 01:04:44,048 ROD, I'M SORRY. I SHOULDN'T HAVE DONE IT-- 1255 01:04:44,048 --> 01:04:45,549 ROD, I'M SORRY! COME ON. 1256 01:04:49,486 --> 01:04:50,820 Richard: YOU THREW UP? 1257 01:04:50,820 --> 01:04:52,356 WHY DIDN'T YOU TELL ME? 1258 01:04:52,356 --> 01:04:54,658 I DON'T EVEN REMEMBER DOING IT. 1259 01:04:54,658 --> 01:04:56,193 HE DOESN'T REMEMBER IT. 1260 01:04:56,193 --> 01:04:58,195 WELL, WHAT IF THEY I.D. YOU... 1261 01:04:58,195 --> 01:05:00,397 WITH THE...DNA OR SOMETHING? CAN THEY DO THAT? 1262 01:05:00,397 --> 01:05:02,666 I DOUBT IT. I MEAN, THE STOMACH ACIDS 1263 01:05:02,666 --> 01:05:04,301 USUALLY EAT AWAY AT WHATEVER-- 1264 01:05:04,301 --> 01:05:05,735 YOU DOUBT IT? I DOUBT IT. 1265 01:05:05,735 --> 01:05:08,605 THIS COULD PUT US IN THE FUCKING ELECTRIC CHAIR, 1266 01:05:08,605 --> 01:05:10,174 AND YOU DOUBT IT? 1267 01:05:10,174 --> 01:05:11,841 GAS CHAMBER. WHAT? 1268 01:05:11,841 --> 01:05:14,144 CALIFORNIA USES THE GAS CHAMBER. 1269 01:05:14,144 --> 01:05:16,680 OH, THAT'S-- THAT'S VERY INFORMATIVE. 1270 01:05:16,680 --> 01:05:17,814 IT DOESN'T MATTER. 1271 01:05:17,814 --> 01:05:19,583 NO, THANKS. THANK YOU. 1272 01:05:19,583 --> 01:05:22,086 AND YOU TOLD HER THAT YOU TUTORED ME, TOO? 1273 01:05:22,086 --> 01:05:24,088 GOD, WHAT ARE YOU THINKING? 1274 01:05:24,088 --> 01:05:26,223 I WAS THINKING THAT IF SHE FOUND OUT ON HER OWN 1275 01:05:26,223 --> 01:05:29,693 AND I HADN'T MENTIONED IT, IT WOULD LOOK EVEN WORSE. 1276 01:05:31,895 --> 01:05:34,398 THEY HAVE NOTHING. 1277 01:05:39,103 --> 01:05:41,938 THEY HAVE NOTHING ON ME. 1278 01:05:44,108 --> 01:05:45,309 DON'T WORRY. 1279 01:05:45,309 --> 01:05:47,544 I'M NOT A BACK-STABBER LIKE YOU, RICHARD. 1280 01:05:47,544 --> 01:05:49,179 I'M THE BACK...[LAUGHS] 1281 01:05:50,714 --> 01:05:52,249 HOW AM I A BACK-- 1282 01:05:52,249 --> 01:05:54,684 I'M NOT THE ONE TALKING, JUSTIN. 1283 01:05:54,684 --> 01:05:56,987 I'M NOT THE ONE GIVING AWAY ALL THE INFORMATION! 1284 01:05:56,987 --> 01:05:58,788 I'M NOT THE ONE TRYING TO GET US CAUGHT 1285 01:05:58,788 --> 01:06:01,125 'CAUSE I'M A SCARED LITTLE BITCH WHO FEELS GUILTY! 1286 01:06:01,125 --> 01:06:02,392 DON'T TALK TO ME LIKE THAT, OK? 1287 01:06:02,392 --> 01:06:04,161 I'LL TALK TO YOU ANY WAY I WANT TO. 1288 01:06:04,161 --> 01:06:06,997 I TRUST YOU, I DEPEND ON YOU FOR ALL THIS FORENSIC STUFF, 1289 01:06:06,997 --> 01:06:08,965 AND YOU HAVE NO IDEA WHAT YOU'RE TALKING ABOUT! 1290 01:06:08,965 --> 01:06:11,135 YOU ARE SUPPOSED TO BE THE SMART ONE. 1291 01:06:11,135 --> 01:06:12,436 STOP. JUST... 1292 01:06:12,436 --> 01:06:14,638 NO. YOU'RE SUPPOSED TO BE SMART. YOU'RE DUMB! 1293 01:06:14,638 --> 01:06:15,639 STOP! 1294 01:06:19,776 --> 01:06:21,345 I'M SORRY. 1295 01:06:24,881 --> 01:06:26,683 COME HERE. 1296 01:06:29,786 --> 01:06:31,621 THAT'S A GOOD BOY. HA. 1297 01:06:32,656 --> 01:06:35,592 YOU'RE NOT STILL MAD ABOUT THAT GIRL, ARE YOU? 1298 01:06:37,627 --> 01:06:38,628 HUH? 1299 01:06:41,898 --> 01:06:43,900 LET'S JUST STICK TOGETHER AND STAY CALM 1300 01:06:43,900 --> 01:06:46,403 UNTIL THIS IS OVER, OK? 1301 01:06:49,739 --> 01:06:51,475 AND THEN WHAT? 1302 01:06:59,883 --> 01:07:02,152 AND THEN WHAT? 1303 01:07:02,986 --> 01:07:04,588 JUSTIN? 1304 01:07:04,588 --> 01:07:06,356 WHERE ARE YOU GOING? 1305 01:07:22,906 --> 01:07:24,341 HEY. 1306 01:07:24,341 --> 01:07:27,144 Justin: WE'RE NOT SUPPOSED TO BE SEEN TOGETHER. 1307 01:07:27,144 --> 01:07:30,247 DO YOU THINK THIS IS SOME KIND OF GAME OR WHAT? 1308 01:07:32,015 --> 01:07:35,119 [TELEPHONE LINE RINGS] 1309 01:07:40,424 --> 01:07:41,791 COME ON, COME ON, COME ON. 1310 01:07:41,791 --> 01:07:43,059 Machine: THIS IS SAM KENNEDY. 1311 01:07:43,059 --> 01:07:44,294 I'M NOT HERE TO TAKE YOUR CALL. 1312 01:07:44,294 --> 01:07:46,696 I'LL CALL YOU BACK AS SOON AS I-- 1313 01:07:46,696 --> 01:07:47,731 [CLOSES PHONE] 1314 01:07:49,933 --> 01:07:52,536 RICHARD, WHAT ARE YOU DOING HERE? 1315 01:07:54,471 --> 01:07:56,240 WHAT ARE YOU DOING HERE? 1316 01:07:56,240 --> 01:07:59,343 DO YOU WANT SOMETHING? 1317 01:08:01,678 --> 01:08:03,380 LIKE WHAT? 1318 01:08:08,952 --> 01:08:11,155 I DON'T KNOW. 1319 01:08:17,494 --> 01:08:19,763 EVERYBODY WANTS SOMETHING, DON'T THEY? 1320 01:08:29,573 --> 01:08:31,241 DO THEY? 1321 01:08:31,241 --> 01:08:33,510 THEY JUST DON'T KNOW HOW TO ASK FOR IT. 1322 01:08:36,713 --> 01:08:38,348 WHAT DO YOU WANT? 1323 01:08:50,660 --> 01:08:53,129 YOU THINK I'M TOO YOUNG, DON'T YOU? 1324 01:08:53,129 --> 01:08:55,999 THERE WAS A KILLER AT YOUR SCHOOL... 1325 01:08:55,999 --> 01:08:57,834 THE WHOLE TIME, 1326 01:08:57,834 --> 01:08:59,869 SOMEBODY YOU WERE CLOSE TO. 1327 01:08:59,869 --> 01:09:01,137 WHAT DO YOU MEAN? 1328 01:09:01,137 --> 01:09:03,072 RAYMOND FEATHERS? 1329 01:09:03,072 --> 01:09:04,941 YOU GUYS WERE FRIENDS, RIGHT? 1330 01:09:04,941 --> 01:09:07,777 WHAT, WITH THAT DEGENERATE? 1331 01:09:07,777 --> 01:09:09,078 NO. 1332 01:09:09,078 --> 01:09:11,648 HE DIDN'T REALLY HAVE MANY FRIENDS. 1333 01:09:12,749 --> 01:09:14,751 HE JUST... 1334 01:09:14,751 --> 01:09:16,920 I DON'T KNOW. 1335 01:09:16,920 --> 01:09:18,522 YOU KNOW, EVEN HIS-- 1336 01:09:18,522 --> 01:09:20,790 HIS OLD LADY LEFT HIM. 1337 01:09:23,293 --> 01:09:26,530 SO YOU WERE FRIENDS WITH HIS OLD LADY, TOO, HUH? 1338 01:09:33,303 --> 01:09:35,038 YOU'RE A TEASE. 1339 01:09:35,038 --> 01:09:36,906 I THINK YOU LEAD GUYS ON 1340 01:09:36,906 --> 01:09:38,675 AND THEN YOU PUSH THEM AWAY. 1341 01:09:40,176 --> 01:09:41,911 BUT I THINK... 1342 01:09:41,911 --> 01:09:43,647 YOU LIKE TO FIGHT. 1343 01:09:43,647 --> 01:09:46,250 I THINK YOU REALLY WANT IT. 1344 01:09:46,250 --> 01:09:48,685 YOU JUST KINDA NEED TO FIGHT ABOUT IT. 1345 01:09:48,685 --> 01:09:50,320 NO. 1346 01:09:50,320 --> 01:09:51,755 YOU DON'T HAVE TO DO ANYTHING. 1347 01:09:51,755 --> 01:09:53,523 YOU HAVE NO CHOICE. I'LL DO IT ALL. 1348 01:09:57,060 --> 01:10:00,330 NOW YOU CAN'T HANDLE IT, SO YOU'RE LEAVING, RIGHT? 1349 01:10:00,330 --> 01:10:02,699 THIS IS PART OF IT. THIS IS ALL PART OF IT. 1350 01:10:06,035 --> 01:10:07,103 DAMN IT. 1351 01:10:07,103 --> 01:10:08,438 NO. 1352 01:10:11,207 --> 01:10:13,510 [GROANS] OH... 1353 01:10:15,779 --> 01:10:16,980 THANK YOU, 1354 01:10:16,980 --> 01:10:18,448 DETECTIVE. 1355 01:10:19,316 --> 01:10:20,717 I BET YOU DID THIS 1356 01:10:20,717 --> 01:10:23,253 WITH EVERY GUY YOU EVER DATED. 1357 01:10:25,188 --> 01:10:27,457 TELL ME I'M WRONG. 1358 01:10:30,093 --> 01:10:31,995 [CHUCKLES] 1359 01:11:09,132 --> 01:11:10,567 [BUZZER, KNOCKING] 1360 01:11:13,637 --> 01:11:15,339 [KNOCKING] 1361 01:11:16,640 --> 01:11:19,175 WHAT IF I CAN LINK RICHARD TO RAYMOND FEATHERS? 1362 01:11:19,175 --> 01:11:20,977 YOU CAN'T STOP, CAN YOU? 1363 01:11:20,977 --> 01:11:23,680 NO, SAM, SAM. LOOK, I'M REALLY SORRY ABOUT WHAT I SAID TO YOU. 1364 01:11:23,680 --> 01:11:25,782 I'M JUST A LITTLE MESSED UP RIGHT NOW, 1365 01:11:25,782 --> 01:11:28,918 BUT IF YOU COULD REALLY HEAR ME OUT AS A FRIEND... 1366 01:11:28,918 --> 01:11:31,521 JUST AS A FRIEND, OK? [CLEARS THROAT] 1367 01:11:33,990 --> 01:11:35,258 THANK YOU. 1368 01:11:35,258 --> 01:11:38,227 I SAW RICHARD AND JUSTIN TONIGHT. 1369 01:11:38,227 --> 01:11:40,864 THEY LIED, SAM. THEY KNOW EACH OTHER. 1370 01:11:40,864 --> 01:11:42,532 REALLY? 1371 01:11:42,532 --> 01:11:44,801 THESE KIDS BARELY HAVE PARENTS. 1372 01:11:44,801 --> 01:11:47,637 THEY'RE LIKE ORPHANS WITH CREDIT CARDS. 1373 01:11:47,637 --> 01:11:49,539 SCHOOL'S TOO EASY. THEY DON'T HAVE JOBS. 1374 01:11:49,539 --> 01:11:51,274 THEY DON'T HAVE CHORES. 1375 01:11:51,274 --> 01:11:52,642 NOTHING'S EXPECTED OF THEM. 1376 01:11:52,642 --> 01:11:54,944 NOTHING THEY DO MATTERS... TO THEM OR ANYBODY ELSE. 1377 01:11:54,944 --> 01:11:57,414 SO THEY FIGURED, WHY NOT KILL SOMEBODY? 1378 01:11:57,414 --> 01:11:58,948 MAYBE THAT WILL MATTER. 1379 01:11:58,948 --> 01:12:00,950 MAYBE I'M WRONG. MAYBE RAY DID DO IT, 1380 01:12:00,950 --> 01:12:03,019 BUT CALL ROD AND TELL HIM YOU'RE NOT SURE 1381 01:12:03,019 --> 01:12:05,054 AND THAT YOU WANT TO KEEP THE CASE OPEN. 1382 01:12:05,054 --> 01:12:07,691 WHAT HAPPENED BETWEEN YOU AND RICHARD HAYWOOD TONIGHT? 1383 01:12:07,691 --> 01:12:10,360 DID YOU HIT HIM... IN THE FACE? 1384 01:12:11,761 --> 01:12:12,762 NO. 1385 01:12:13,930 --> 01:12:16,366 NO, IT WASN--WASN'T LIKE THAT. IT-- 1386 01:12:18,167 --> 01:12:19,769 IT WAS AN ACCI-- 1387 01:12:24,908 --> 01:12:26,543 ROD KNOWS? 1388 01:12:26,543 --> 01:12:28,111 HE GOT A CALL FROM RICHARD'S FATHER. 1389 01:12:28,111 --> 01:12:31,548 HE'S GONNA MAKE YOU SEE THE DEPARTMENT SHRINK ABOUT THIS. 1390 01:12:33,316 --> 01:12:34,918 NO. NO SHRINK. 1391 01:12:34,918 --> 01:12:36,920 IT'S NOT GONNA WORK. 1392 01:12:39,856 --> 01:12:42,626 I KNOW WHAT I AM. I'M JUST NOT V-- 1393 01:12:51,334 --> 01:12:53,269 OK... 1394 01:12:53,269 --> 01:12:55,271 SO NOBODY WANTS TO WORK WITH ME. 1395 01:12:55,271 --> 01:12:56,606 THAT'S OK. 1396 01:12:56,606 --> 01:12:58,608 BUT I'M A GOOD COP, 1397 01:12:58,608 --> 01:13:00,610 AND IF WHAT I SAY IS RIGHT 1398 01:13:00,610 --> 01:13:03,847 AND WE LET THESE KIDS GO AND THEY DO IT AGAIN... 1399 01:13:05,615 --> 01:13:07,617 SO PLEASE, JUST TALK TO ROD. 1400 01:13:07,617 --> 01:13:09,853 YOU'RE THE ONLY ONE THAT HE'LL LISTEN TO. 1401 01:13:12,355 --> 01:13:14,323 I'LL CALL HIM IN THE MORNING. 1402 01:13:14,323 --> 01:13:16,259 WELL, CALL HIM NOW BECAUSE HE'S STILL UP, 1403 01:13:16,259 --> 01:13:18,394 AND HE STAYS UP. HE STAYS AWAKE! 1404 01:13:18,394 --> 01:13:19,729 HE'S UP LATE! JUST BACK OFF. 1405 01:13:24,568 --> 01:13:27,036 IF ROD SAYS YES, 1406 01:13:27,036 --> 01:13:29,405 MAYBE YOU COULD EVEN HANG AROUND THE SCHOOL 1407 01:13:29,405 --> 01:13:31,407 AND MAKE THEM NERVOUS, YOU KNOW? 1408 01:13:31,407 --> 01:13:32,576 [BELL RINGS] 1409 01:13:32,576 --> 01:13:34,944 REMEMBER, WE HAVE PAPERS DUE TOMORROW. 1410 01:13:34,944 --> 01:13:36,546 NO EXCUSES. 1411 01:13:38,748 --> 01:13:39,949 Teacher: DON'T FORGET. 1412 01:13:39,949 --> 01:13:41,451 YOU HAVE TO SUPPORT YOUR CONCLUSIONS. 1413 01:13:41,451 --> 01:13:42,819 HAVING A THESIS IS NOT ENOUGH. 1414 01:13:42,819 --> 01:13:46,089 REAL ARGUMENTS WITH QUOTATIONS WITH THE SOURCES. 1415 01:14:02,171 --> 01:14:03,573 Boy: WHAT'S GOIN' ON, CHRIS? 1416 01:14:03,573 --> 01:14:05,074 NOT MUCH. 1417 01:14:05,074 --> 01:14:05,975 MR. CHECHI, 1418 01:14:05,975 --> 01:14:07,711 I'M SAM KENNEDY, SAN BENITO POLICE. 1419 01:14:07,711 --> 01:14:09,045 NICE TO MEET YOU. 1420 01:14:11,981 --> 01:14:13,049 LISA. 1421 01:14:16,986 --> 01:14:19,623 SAM KENNEDY FROM SAN BENITO POLICE. 1422 01:14:59,495 --> 01:15:03,800 [DONG DONG DONG] 1423 01:15:24,387 --> 01:15:27,591 START TIME. LET'S SEE... 1424 01:15:44,140 --> 01:15:45,141 HEY, IT'S ME. 1425 01:15:45,141 --> 01:15:46,676 I KNOW HOW THEY DID IT. 1426 01:15:46,676 --> 01:15:48,678 NOW WE NEED TO KNOW WHY. 1427 01:15:48,678 --> 01:15:50,213 I CAN HELP WITH THAT. 1428 01:15:50,213 --> 01:15:52,616 I GOT SOMEONE HERE YOU OUGHT TO TALK TO. 1429 01:15:55,551 --> 01:15:56,886 Cassie: ROD, LOOK AT THE DNA. 1430 01:15:56,886 --> 01:15:59,155 THE VOMIT IS A PERFECT MATCH 1431 01:15:59,155 --> 01:16:00,824 WITH JUSTIN. 1432 01:16:00,824 --> 01:16:03,492 WHO PAID FOR THIS? 1433 01:16:03,492 --> 01:16:04,694 Sam: CASSIE. 1434 01:16:04,694 --> 01:16:07,664 OUT OF HER OWN POCKET. 1435 01:16:12,035 --> 01:16:14,037 IF YOU GET A JURY WITH 12 FORENSICS EXPERTS, 1436 01:16:14,037 --> 01:16:14,971 YOU'LL BE FINE. 1437 01:16:14,971 --> 01:16:16,640 THAT'S WHY WE WANNA BRING THEM IN. 1438 01:16:16,640 --> 01:16:17,741 IF WE DON'T GET A CONFESSION 1439 01:16:17,741 --> 01:16:18,708 OUT OF AT LEAST ONE OF THESE KIDS, 1440 01:16:18,708 --> 01:16:20,209 THEY BOTH COULD WALK. 1441 01:16:20,209 --> 01:16:22,145 YOU THINK THEY'LL KEEP TALKING WITHOUT AN ATTORNEY PRESENT? 1442 01:16:22,145 --> 01:16:23,212 THAT'S THE WHOLE IDEA. 1443 01:16:23,212 --> 01:16:26,683 THEY WANNA PROVE THEY'RE SMARTER THAN WE ARE. 1444 01:16:27,483 --> 01:16:29,185 OK. 1445 01:16:42,732 --> 01:16:45,301 SO WHERE'S THE OTHER ONE? 1446 01:16:45,301 --> 01:16:47,103 WHO? 1447 01:16:47,103 --> 01:16:49,205 THE HOT ONE. 1448 01:16:49,205 --> 01:16:51,007 NOT HERE. 1449 01:16:51,007 --> 01:16:53,609 YOU GET TO WORK WITH HER EVERY DAY? 1450 01:16:53,609 --> 01:16:54,543 YEAH. 1451 01:16:54,543 --> 01:16:56,179 I SHOULD BECOME A COP. 1452 01:17:00,349 --> 01:17:02,351 SO WHAT'S UP WITH RAY? 1453 01:17:02,351 --> 01:17:04,620 I HEAR HE'S LIKE, A... 1454 01:17:04,620 --> 01:17:06,155 SERIAL KILLER OR SOMETHING? 1455 01:17:06,155 --> 01:17:09,358 WELL, ACTUALLY, WE HAVE A THEORY ON THAT. 1456 01:17:09,358 --> 01:17:11,627 IT INVOLVES YOU AND JUSTIN. 1457 01:17:11,627 --> 01:17:13,462 IT'S JUST A THEORY. 1458 01:17:13,462 --> 01:17:15,398 CAN I LAY IT OUT FOR YOU? 1459 01:17:15,398 --> 01:17:16,632 YEAH. 1460 01:17:42,058 --> 01:17:43,426 "THEREFORE, 1461 01:17:43,426 --> 01:17:46,195 "EVERY TRULY FREE ACT IS, IN A SENSE, A CRIME, 1462 01:17:46,195 --> 01:17:48,164 "FOR CRIME SETS ONE APART FROM THE HERD 1463 01:17:48,164 --> 01:17:50,834 "AND FROM THE MACHINERY OF MASS SOCIETY. 1464 01:17:50,834 --> 01:17:52,902 "BUT IT CANNOT BE A CRIME OF PROFIT OR PASSION. 1465 01:17:52,902 --> 01:17:55,939 "IT MUST BE A GRATUITOUS, RANDOM CRIME. 1466 01:17:55,939 --> 01:17:58,141 "CRIME AS PHILOSOPHY 1467 01:17:58,141 --> 01:17:59,408 IS FREEDOM." 1468 01:18:04,613 --> 01:18:06,082 INTERESTING. 1469 01:18:07,884 --> 01:18:09,719 DO YOU BELIEVE IT? 1470 01:18:10,686 --> 01:18:12,756 WELL, IT'S... A SCHOOL PAPER. 1471 01:18:12,756 --> 01:18:14,991 YOU HAVE TO WRITE SOMETHING. 1472 01:18:16,826 --> 01:18:18,828 I ENJOY TAKING INDEFENSIBLE POSITIONS 1473 01:18:18,828 --> 01:18:21,397 AND CREATING AN ARGUMENT FOR THEM. 1474 01:18:21,397 --> 01:18:22,665 MMM. 1475 01:18:22,665 --> 01:18:24,901 BUT, DO YOU BELIEVE IT? 1476 01:18:26,702 --> 01:18:28,838 SO THEN THE QUESTION IS 1477 01:18:28,838 --> 01:18:31,440 HOW'D YOU PICK THE VICTIM? 1478 01:18:31,440 --> 01:18:33,209 WAS IT RANDOM? 1479 01:18:33,209 --> 01:18:36,712 I MEAN, THAT'S THE WAY I'D DO IT. 1480 01:18:36,712 --> 01:18:38,848 Justin: THAT ONE, RIGHT THERE. 1481 01:18:38,848 --> 01:18:40,683 THE ONE WITH THE FLOWERS. SHE'S PERFECT. 1482 01:18:40,683 --> 01:18:42,919 NO, NO, NO, NO. SHE'S TOO SKINNY. 1483 01:18:45,154 --> 01:18:47,390 DO YOU UNDERSTAND WHAT RANDOM MEANS? 1484 01:18:47,390 --> 01:18:48,457 RANDOM MEANS-- 1485 01:18:48,457 --> 01:18:49,725 I UNDERSTAND WHAT RANDOM-- 1486 01:18:49,725 --> 01:18:51,727 DON'T TALK TO ME LIKE I'M A MORON. 1487 01:18:51,727 --> 01:18:52,996 WE HAVE TO FOLLOW THE PLAN. 1488 01:18:52,996 --> 01:18:54,330 IF WE DON'T FOLLOW THE PLAN-- 1489 01:18:54,330 --> 01:18:56,465 THIS ONE. WHAT ABOUT THIS ONE WITH THE BACKPACK? 1490 01:18:56,465 --> 01:18:58,935 DON'T GET IMPATIENT. OH HO. 1491 01:19:01,204 --> 01:19:02,872 WAIT A SECOND. 1492 01:19:04,273 --> 01:19:07,911 PULL UP HERE WHERE THE GIRL'S LOADING THE GROCERIES. 1493 01:19:09,078 --> 01:19:10,079 OK. 1494 01:19:12,882 --> 01:19:14,417 Cassie: BUT YOU LOSE THE POINT 1495 01:19:14,417 --> 01:19:17,753 OF A PHILOSOPHICAL CRIME IF YOU FEEL GUILTY, RIGHT? 1496 01:19:17,753 --> 01:19:19,355 H-HOW DO YOU MEAN? 1497 01:19:19,355 --> 01:19:22,091 IF YOU KILL SOMEBODY TO PROVE YOU'RE FREE 1498 01:19:22,091 --> 01:19:23,692 AND THEN THROW UP YOUR DINNER 1499 01:19:23,692 --> 01:19:25,361 BECAUSE YOU'RE UPSET ABOUT WHAT YOU DID-- 1500 01:19:25,361 --> 01:19:26,362 I DIDN'T-- 1501 01:19:28,164 --> 01:19:29,899 WHAT ARE YOU TALKING ABOUT? 1502 01:19:29,899 --> 01:19:31,700 RICHARD DIDN'T THROW UP HIS DINNER 1503 01:19:31,700 --> 01:19:33,236 BECAUSE HE DIDN'T FEEL GUILTY. 1504 01:19:33,236 --> 01:19:35,805 HE'S FREE, JUSTIN. YOU'RE NOT. 1505 01:19:41,477 --> 01:19:43,079 RELAX. 1506 01:19:43,913 --> 01:19:46,883 LET THEM WONDER WHAT WE'RE UP TO. 1507 01:19:57,861 --> 01:20:00,196 NOW GO IN. GO IN. 1508 01:20:00,196 --> 01:20:01,998 HEY. HEY. 1509 01:20:01,998 --> 01:20:04,233 DON'T FORGET YOUR COFFEE. 1510 01:20:05,468 --> 01:20:07,403 YOU CAN'T SMOKE IN HERE. 1511 01:20:07,403 --> 01:20:08,905 COME ON. 1512 01:20:10,739 --> 01:20:12,842 ARE WE ALMOST DONE HERE? 1513 01:20:12,842 --> 01:20:14,844 TAKE A SEAT. 1514 01:20:26,322 --> 01:20:29,758 SO, UM...RAY WAS AN INSPIRED CHOICE. 1515 01:20:29,758 --> 01:20:32,028 BUT THE GREAT THING, 1516 01:20:32,028 --> 01:20:34,563 THE REALLY GREAT THING WAS HOW SUBTLY 1517 01:20:34,563 --> 01:20:36,966 YOU PLANTED THE FIBERS AND HAIRS AND STUFF. 1518 01:20:36,966 --> 01:20:38,968 I GOT YOU COVERED. 1519 01:20:51,647 --> 01:20:53,582 YOU DID RAY, RIGHT? 1520 01:20:53,582 --> 01:20:55,451 WASN'T HE YOUR FRIEND? 1521 01:20:55,451 --> 01:20:57,653 YOU TOLD HIM TO HIDE IN HIS TRAILER 1522 01:20:57,653 --> 01:20:59,956 IN LOS PALOS, DIDN'T YOU? 1523 01:21:05,428 --> 01:21:07,796 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1524 01:21:07,796 --> 01:21:09,198 Cassie: YOU WENT HOME, 1525 01:21:09,198 --> 01:21:11,700 YOU SAID HELLO TO YOUR MOTHER. 1526 01:21:11,700 --> 01:21:13,970 IT HAD ONLY TAKEN YOU 10 MINUTES 1527 01:21:13,970 --> 01:21:15,972 TO WALK HOME FROM THE RESTAURANT. 1528 01:21:15,972 --> 01:21:17,941 IF SHE FEELS SHE CAN GET AWAY WITH IT, 1529 01:21:17,941 --> 01:21:19,542 SHE'S GONNA DO IT. 1530 01:21:19,542 --> 01:21:21,077 MOTHER, I'M HOME. 1531 01:21:21,077 --> 01:21:23,312 YOU TOLD HER YOU WERE GOING UP TO DO SCHOOLWORK. 1532 01:21:23,312 --> 01:21:25,348 YOU FELT CONFIDENT SHE WOULDN'T LOOK IN. 1533 01:21:25,348 --> 01:21:28,918 AND SHE DIDN'T. SHE NEVER DID, DID SHE? 1534 01:21:29,818 --> 01:21:32,455 [CLASSICAL MUSIC PLAYS] 1535 01:21:38,027 --> 01:21:39,895 Richard: I WAS WITH 6 FRIENDS. 1536 01:21:39,895 --> 01:21:41,230 ALL NIGHT. 1537 01:21:41,230 --> 01:21:44,300 YOU KNOW THAT. YOU TALKED TO THEM. 1538 01:21:44,300 --> 01:21:47,136 THE NIGHT, SURE, BUT NOT THE DAY, RICHARD. 1539 01:21:49,238 --> 01:21:51,107 THAT'S THE SECRET, ISN'T IT? 1540 01:21:51,107 --> 01:21:53,909 YOU WEREN'T THERE AT NIGHT. 1541 01:21:54,910 --> 01:21:56,879 Cassie: THE THING THAT ALWAYS CONFUSED ME 1542 01:21:56,879 --> 01:22:00,349 WAS THE MUDDY FOOTPRINTS IN THE HOUSE. 1543 01:22:00,349 --> 01:22:01,650 YOU KNOW? 1544 01:22:01,650 --> 01:22:04,253 THE SOIL IN THE PLANTING BED WAS DRY, SO... 1545 01:22:04,253 --> 01:22:05,921 WHERE'D THEY COME FROM? 1546 01:22:05,921 --> 01:22:09,258 [FOOTSTEPS] 1547 01:22:28,411 --> 01:22:30,513 SEE, I FIGURED IT WAS YOU AT THE HOUSE 1548 01:22:30,513 --> 01:22:32,815 'CAUSE JUSTIN WOULD HAVE KNOWN BETTER 1549 01:22:32,815 --> 01:22:34,950 THAN TO WALK THROUGH THE WET BEDS. 1550 01:22:34,950 --> 01:22:36,619 THAT WAS EXACTLY 3:30. 1551 01:22:36,619 --> 01:22:39,455 HOW LONG DID YOU HAVE TO WAIT FOR HER 1552 01:22:39,455 --> 01:22:40,623 TO COME HOME? 1553 01:22:57,473 --> 01:23:00,043 YOU DIDN'T REALLY KILL HER AT THE HOUSE. 1554 01:23:00,043 --> 01:23:02,745 I GOTTA SAY, THAT WAS A STROKE OF GENIUS. 1555 01:23:02,745 --> 01:23:06,215 DID--DID YOU THINK IT UP, OR WAS IT JUSTIN? 1556 01:23:07,950 --> 01:23:10,219 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1557 01:23:10,219 --> 01:23:13,289 THAT HELPED US FIGURE OUT THE REAL TIMETABLE. 1558 01:23:29,072 --> 01:23:30,506 THAT GAVE YOU PLENTY OF TIME 1559 01:23:30,506 --> 01:23:33,309 TO GET HOME WITH THE STUDY GROUP. 1560 01:23:38,114 --> 01:23:40,183 WELL, I'M GONNA GO GET SOME, UH... 1561 01:23:40,183 --> 01:23:42,985 Sam: YOU TOLD THEM YOU WERE GOING TO THE ATM 1562 01:23:42,985 --> 01:23:44,987 TO GET CASH FOR THE PIZZA. 1563 01:23:44,987 --> 01:23:46,155 YES. AND YOU DID. 1564 01:23:46,155 --> 01:23:47,990 AND I DID. 1565 01:23:47,990 --> 01:23:50,559 THEN YOU HURRIED BACK. 1566 01:23:50,559 --> 01:23:51,994 THAT TOOK 5 MINUTES. 1567 01:23:51,994 --> 01:23:54,597 IT TOOK 5 MINUTES. 1568 01:23:56,632 --> 01:23:58,134 NOW WE'RE TALKIN'. 1569 01:23:58,134 --> 01:24:00,703 BUT YOU WERE GONE 15. 1570 01:24:32,435 --> 01:24:34,637 WELL, WHAT ARE YOU LOOKIN' AT? 1571 01:24:42,778 --> 01:24:44,480 [ROCK MUSIC PLAYS] 1572 01:24:44,480 --> 01:24:46,782 RICHARD KILLED HER... 1573 01:24:46,782 --> 01:24:48,184 DIDN'T HE, JUSTIN? 1574 01:24:48,184 --> 01:24:50,286 I THINK IT WAS JUSTIN. 1575 01:24:54,157 --> 01:24:55,524 LET ME TELL YOU SOMETHING. 1576 01:24:57,193 --> 01:24:59,061 AND IT'S GONNA BE THE MOST IMPORTANT THING 1577 01:24:59,061 --> 01:25:00,263 YOU EVER HEAR, 1578 01:25:00,263 --> 01:25:02,198 MORE IMPORTANT THAN ALL THE INSTRUCTIONS 1579 01:25:02,198 --> 01:25:04,467 ON THE SATs AND APs. 1580 01:25:04,467 --> 01:25:07,670 THE PERSON WHO ACTUALLY KILLED OLIVIA LAKE 1581 01:25:07,670 --> 01:25:09,305 IS GONNA BE EXECUTED, 1582 01:25:09,305 --> 01:25:11,807 OR AT BEST GO TO JAIL FOR THE REST OF HIS LIFE, 1583 01:25:11,807 --> 01:25:14,610 AND IN YOUR CASE, THAT WOULD BE ABOUT 60 YEARS. 1584 01:25:14,610 --> 01:25:17,346 BUT THE OTHER ONE WHO DIDN'T ACTUALLY KILL HER... 1585 01:25:17,346 --> 01:25:20,349 IF HE COOPERATES... 1586 01:25:20,349 --> 01:25:23,252 WILL HAVE A CHANCE AT A REAL LIFE. 1587 01:25:36,699 --> 01:25:40,736 Cassie: RICHARD WAS BACK IN THE STUDY GROUP BY 9:25. 1588 01:25:40,736 --> 01:25:44,407 SO YOU MUST HAVE BEEN THE ONE WHO DUMPED THE BODY. 1589 01:26:23,712 --> 01:26:26,415 Cassie: THE PLANNING WAS EASY. 1590 01:26:26,415 --> 01:26:29,452 NOW YOU HAD TO ACTUALLY DO IT. 1591 01:26:32,288 --> 01:26:33,489 [CRUNCH] 1592 01:26:55,444 --> 01:26:57,913 AND THAT IS WHY THE POSTMORTEM WOUNDS 1593 01:26:57,913 --> 01:26:59,582 WERE SO TENTATIVE. 1594 01:26:59,582 --> 01:27:02,451 BECAUSE YOU WERE TRYING TO BE LIKE RICHARD, 1595 01:27:02,451 --> 01:27:04,119 BUT YOU COULDN'T. 1596 01:27:04,119 --> 01:27:06,822 YOU WEREN'T THAT FREE. 1597 01:27:06,822 --> 01:27:08,357 THANK GOD. 1598 01:27:12,060 --> 01:27:14,129 GO TO HELL. 1599 01:27:14,730 --> 01:27:16,198 MY GUY'S NOT GONNA ROLL. 1600 01:27:16,198 --> 01:27:17,333 REALLY? MM-MM. 1601 01:27:17,333 --> 01:27:18,601 I FIGURED HE'D BE THE ONE. 1602 01:27:18,601 --> 01:27:20,803 NO. LET'S TALK ABOUT GOLDILOCKS FOR A MINUTE. 1603 01:27:20,803 --> 01:27:21,804 LISA. YEAH. 1604 01:27:21,804 --> 01:27:23,472 YOU SAID THAT SHE WENT OUT WITH RICHARD? 1605 01:27:23,472 --> 01:27:25,073 YEAH, BRIEFLY. SHE FELT TAKEN ADVANTAGE OF, 1606 01:27:25,073 --> 01:27:26,942 THEN SHE GOT INTERESTED IN JUSTIN. 1607 01:27:26,942 --> 01:27:28,076 LET'S USE THAT. 1608 01:27:28,076 --> 01:27:30,012 IT'S AN INTERESTING THEORY... 1609 01:27:30,012 --> 01:27:32,681 BUT I CAN'T ADMIT TO SOMETHING I DIDN'T DO. 1610 01:27:32,681 --> 01:27:35,618 WELL, IT LOOKS LIKE YOU WON'T HAVE TO. 1611 01:27:35,618 --> 01:27:37,753 'CAUSE JUSTIN'S TALKING IN THERE. 1612 01:27:41,189 --> 01:27:42,190 JUSTIN'S HERE? 1613 01:27:42,190 --> 01:27:43,592 MM-HMM. 1614 01:27:48,196 --> 01:27:50,533 HE TOLD US ABOUT YOU, 1615 01:27:50,533 --> 01:27:52,568 ABOUT YOU AND LISA. 1616 01:27:58,741 --> 01:28:00,876 OH...[LAUGHS] 1617 01:28:02,845 --> 01:28:05,448 WHICH LISA? HA. 1618 01:28:07,650 --> 01:28:10,819 SO YOU REALLY NEED TO TELL ME WHAT HAPPENED. 1619 01:28:12,521 --> 01:28:15,157 JUST THINK OF IT AS A GAME. 1620 01:28:15,157 --> 01:28:17,393 WHOEVER TALKS FIRST IS THE WINNER. 1621 01:28:20,396 --> 01:28:22,531 JUSTIN'S SAYING YOU BETRAYED HIM. 1622 01:28:22,531 --> 01:28:25,734 HE TOLD US ABOUT LISA AND THE TAPE YOU MADE. 1623 01:28:27,370 --> 01:28:30,573 JUSTIN'S TALKING. 1624 01:28:30,573 --> 01:28:32,508 HE'S GONNA WIN THIS THING, RICHARD. 1625 01:28:32,508 --> 01:28:34,743 UNLESS YOU HAVE SOMETHING TO TELL ME. 1626 01:28:37,613 --> 01:28:39,682 OK, I'M GONNA GO SEE. 1627 01:28:41,684 --> 01:28:43,919 WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 1628 01:28:47,423 --> 01:28:49,024 COME ON, SIT DOWN. 1629 01:28:57,299 --> 01:28:59,034 I HAVE TO ADVISE YOU 1630 01:28:59,034 --> 01:29:00,903 OF CERTAIN RIGHTS. 1631 01:29:00,903 --> 01:29:03,305 THE INTERVIEW IS OVER. 1632 01:29:03,305 --> 01:29:05,307 RICHARD'S FATHER SENT HIS LAWYER. 1633 01:29:05,307 --> 01:29:07,810 CHARGE THEM OR LET THEM GO. 1634 01:29:32,200 --> 01:29:35,303 ANOTHER 10 MINUTES, 5, WE WOULD HAVE HAD THOSE KIDS. 1635 01:29:35,303 --> 01:29:36,672 BOTH OF THEM. 1636 01:29:36,672 --> 01:29:38,574 MAN, IF I EVER FIND OUT WHO LEAKED TO THE PARENTS, 1637 01:29:38,574 --> 01:29:40,375 I SWEAR TO GOD... 1638 01:29:43,946 --> 01:29:45,514 NO, NO. 1639 01:29:45,514 --> 01:29:47,215 THAT'S ALL RIGHT. YEAH, UH... 1640 01:29:47,215 --> 01:29:49,652 YEAH, I'LL TALK TO YOU TOMORROW. 1641 01:29:49,652 --> 01:29:52,220 YOU KNOW THE ONLY THING THAT'S STOPPING HIM, JUSTIN, 1642 01:29:52,220 --> 01:29:53,589 FROM TALKING? 1643 01:29:53,589 --> 01:29:56,358 SAID HE NEEDS TO PROVE HE'S AS TOUGH AS HIS BUDDY. 1644 01:29:56,358 --> 01:29:57,426 HE'S TOUGHER. 1645 01:29:57,426 --> 01:29:59,027 YEAH, MAYBE. BUT THAT RICHARD... 1646 01:29:59,027 --> 01:30:01,930 I'M TELLING YOU, I CANNOT WAIT TILL WE NAIL HIM. 1647 01:30:01,930 --> 01:30:03,165 WELL, LOOK, 1648 01:30:03,165 --> 01:30:05,367 ONE OF THEM'S THE DOER, AND HE'S GOING DOWN. 1649 01:30:05,367 --> 01:30:06,502 BUT, I MEAN... 1650 01:30:06,502 --> 01:30:07,570 YEAH, IT HAPPENS. 1651 01:30:07,570 --> 01:30:08,971 IT HAPPENS. THERE'S SOMETHING... 1652 01:30:08,971 --> 01:30:11,807 YOU GET A NARCISSISTIC PRICK LIKE RICHARD HAYWOOD 1653 01:30:11,807 --> 01:30:14,209 WHO DOESN'T CARE ABOUT ANYBODY BUT HIMSELF... 1654 01:30:14,209 --> 01:30:17,345 I'M TELLING YOU, HE USES JUSTIN SOLELY TO FEED HIS EGO, 1655 01:30:17,345 --> 01:30:19,414 PUSH HIM AROUND, HE CAN FEEL LIKE A MAN. 1656 01:30:19,414 --> 01:30:21,216 5 YEARS FROM NOW WHEN NO ONE EVEN CARES 1657 01:30:21,216 --> 01:30:24,152 THAT HE WAS HOMECOMING KING OR FUNNY IN THE LUNCHROOM 1658 01:30:24,152 --> 01:30:26,789 OR STATE POLE VAULTING CHAMP, I PITY ANYBODY 1659 01:30:26,789 --> 01:30:28,691 WHO GETS IN HIS WAY-- ANYBODY. 1660 01:30:28,691 --> 01:30:30,358 IS RICHARD A POLE VAULTER? 1661 01:30:30,358 --> 01:30:32,094 NO--I DON'T KNOW. 1662 01:30:32,094 --> 01:30:36,031 I MEAN, I WAS JUST USING IT AS AN EXAMPLE OF, YOU KNOW... 1663 01:30:37,432 --> 01:30:38,901 LOOK, UM... 1664 01:30:38,901 --> 01:30:40,469 LOOK. 1665 01:30:42,705 --> 01:30:44,773 I--I KNOW ABOUT CARL HUDSON. 1666 01:30:51,046 --> 01:30:53,148 WHERE DID YOU GET THAT? 1667 01:30:54,750 --> 01:30:57,653 THIS IS NONE OF YOUR GOD--THIS IS MY-- 1668 01:30:57,653 --> 01:30:59,221 THIS IS MY-- MY MATTER! 1669 01:30:59,221 --> 01:31:00,656 MINE! 1670 01:31:35,691 --> 01:31:38,460 I KNEW THIS GIRL IN HIGH SCHOOL. 1671 01:31:38,460 --> 01:31:40,729 SMART ENOUGH, BUT... 1672 01:31:40,729 --> 01:31:43,632 SHE DIDN'T REALLY COME FROM ANYTHING. 1673 01:31:43,632 --> 01:31:45,167 AND TO EVERYONE'S AMAZEMENT, 1674 01:31:45,167 --> 01:31:47,936 THE MOST POPULAR BOY IN SCHOOL LIKED HER. 1675 01:31:49,137 --> 01:31:50,839 STATE POLE VAULTING CHAMP. 1676 01:31:50,839 --> 01:31:54,777 AND YOU WOULD WATCH HIM GO OVER THAT BAR IN THE SUNLIGHT... 1677 01:31:54,777 --> 01:31:57,312 THAT GOLDEN BODY. IT WAS LIKE... 1678 01:31:57,312 --> 01:32:01,016 LIFE JUST COULDN'T GET ANY MORE BEAUTIFUL THAN THAT. 1679 01:32:02,718 --> 01:32:04,587 AND IT DIDN'T. 1680 01:32:06,388 --> 01:32:08,724 SHE WAS 16 WHEN SHE MARRIED HIM. 1681 01:32:08,724 --> 01:32:12,194 17 WHEN HE KNOCKED OUT HER UPPER BICUSPID, 1682 01:32:12,194 --> 01:32:14,396 18 WHEN SHE SAID SHE WAS LEAVING. 1683 01:32:14,396 --> 01:32:16,064 HE PUT HER IN THE HOSPITAL 1684 01:32:16,064 --> 01:32:18,033 WITH A PRETTY SERIOUS CONCUSSION. 1685 01:32:19,401 --> 01:32:21,670 A WEEK LATER WHEN SHE GOT OUT, 1686 01:32:21,670 --> 01:32:24,807 SHE STARTED PACKING, AND HE WAS DRUNK. 1687 01:32:24,807 --> 01:32:27,810 POINTED HIS FINGER AT HER, HE SAID, 1688 01:32:27,810 --> 01:32:31,079 "YOU TRY THAT AGAIN, I'LL KILL YOU." 1689 01:32:32,414 --> 01:32:34,549 HE TOOK ANOTHER DRINK, 1690 01:32:34,549 --> 01:32:36,852 AND SHE HEADED FOR THE DOOR. 1691 01:32:38,486 --> 01:32:41,023 WHY DIDN'T SHE WAIT TILL HE WAS OUT, 1692 01:32:41,023 --> 01:32:42,357 LEFT FOR WORK? 1693 01:32:42,357 --> 01:32:45,027 'CAUSE SHE COULDN'T. SHE HAD TO GO RIGHT THEN. 1694 01:32:45,027 --> 01:32:46,294 WHY THEN? 1695 01:32:46,294 --> 01:32:47,763 I--I DON'T KNOW. 1696 01:32:47,763 --> 01:32:50,265 IT WAS BECAUSE... 1697 01:32:50,265 --> 01:32:52,567 'CAUSE SHE... 1698 01:32:52,567 --> 01:32:54,603 [SIGHS] 1699 01:32:56,839 --> 01:32:59,441 BECAUSE IT WASN'T ABOUT GETTING AWAY FROM HIM. 1700 01:32:59,441 --> 01:33:01,810 IT WAS ABOUT STANDING UP TO HIM. 1701 01:33:01,810 --> 01:33:04,312 EVEN IF HE KILLED HER. 1702 01:33:04,312 --> 01:33:06,281 I GUESS SO. 1703 01:33:08,350 --> 01:33:10,385 SO HE STABBED HER 17 TIMES 1704 01:33:10,385 --> 01:33:12,087 WITH A KITCHEN KNIFE 1705 01:33:12,087 --> 01:33:15,290 AND DUMPED HER BODY ON A COUNTRY ROAD. 1706 01:33:18,961 --> 01:33:21,630 YEAH. RUINED MY FAVORITE DRESS. 1707 01:33:23,031 --> 01:33:24,833 CARL HUDSON. 1708 01:33:26,401 --> 01:33:28,804 CUTEST BOY I EVER SAW. 1709 01:33:30,305 --> 01:33:32,274 UNTIL RICHARD HAYWOOD. 1710 01:33:40,048 --> 01:33:41,784 AND YOU'RE SUPPOSED TO TESTIFY 1711 01:33:41,784 --> 01:33:43,518 AT CARL'S PAROLE HEARING. 1712 01:33:43,518 --> 01:33:44,720 MM-HMM. 1713 01:33:46,588 --> 01:33:48,857 WHAT ARE YOU GONNA SAY? 1714 01:33:49,992 --> 01:33:52,828 NOTHING. I'M NOT GOING. 1715 01:33:54,329 --> 01:33:55,563 I'M NOT. 1716 01:33:55,563 --> 01:33:58,233 YOU GOTTA GO UP THERE. YOU HAVE TO. 1717 01:33:58,233 --> 01:33:59,467 NO. I DON'T HAVE TO. 1718 01:33:59,467 --> 01:34:02,137 THE GIRL WITH THE DRESS, THAT WAS JESSICA MARIE HUDSON, 1719 01:34:02,137 --> 01:34:04,106 AND I HAVE NOTHING TO SAY ABOUT HER. 1720 01:34:04,106 --> 01:34:06,875 YOU JUST INHERITED HER SCARS. 1721 01:34:06,875 --> 01:34:09,144 LOOK, I MADE A DEAL. 1722 01:34:09,144 --> 01:34:12,147 AND THE DEAL WAS THAT SHE DIED BACK THERE. 1723 01:34:12,147 --> 01:34:15,517 SHE'S IN THE GROUND, AND I CAN GO ON WITH MY LIFE. 1724 01:34:15,517 --> 01:34:17,052 EXCEPT YOU CAN'T, CAN YOU? 1725 01:34:17,052 --> 01:34:19,321 'CAUSE ALL YOU THINK ABOUT IS CARL HUDSON. 1726 01:34:19,321 --> 01:34:22,590 HE'S EVERY CASE. HE'S EVERY GUY YOU DATE. 1727 01:34:22,590 --> 01:34:25,160 YOUR WHOLE WORLD IS CARL HUDSON. 1728 01:34:25,160 --> 01:34:28,764 IS THAT THE LIFE YOU'RE GOIN' ON WITH? 1729 01:34:30,766 --> 01:34:33,235 DID YOU EVER GET HELP FOR ANY OF THIS? 1730 01:34:33,235 --> 01:34:34,903 YEAH. 1731 01:34:34,903 --> 01:34:37,806 I BECAME A COP. 1732 01:34:41,043 --> 01:34:43,645 YOU CAN'T JUST PRETEND IT DIDN'T HAPPEN. 1733 01:34:43,645 --> 01:34:45,513 IT'S NOT THAT SIMPLE, CASS. 1734 01:34:45,513 --> 01:34:47,649 OH...IT HAS TO BE. 1735 01:34:47,649 --> 01:34:50,318 BECAUSE IF IT GETS ANY MORE COMPLICATED, 1736 01:34:50,318 --> 01:34:52,254 I CAN'T MAKE IT. 1737 01:34:58,894 --> 01:35:01,997 Woman: RICHARD HAYWOOD IS ON LINE ONE. 1738 01:35:03,698 --> 01:35:04,867 SWANSON. 1739 01:35:04,867 --> 01:35:06,869 SO YOU WANNA TALK TO ME 1740 01:35:06,869 --> 01:35:08,470 ABOUT THIS COVINGTON WOMAN, OR WHAT? 1741 01:35:08,470 --> 01:35:11,439 YES, I KNOW ALL ABOUT IT. WHAT CAN I DO FOR YOU? 1742 01:35:13,809 --> 01:35:16,779 WELL, I KNOW JUSTIN ALREADY TALKED TO YOU. 1743 01:35:16,779 --> 01:35:18,180 I JUST THOUGHT YOU MIGHT WANNA KNOW 1744 01:35:18,180 --> 01:35:20,482 WHAT REALLY HAPPENED. I THOUGHT IT WAS A GAME. 1745 01:35:20,482 --> 01:35:23,685 HOW DO YOU PICK THE VICTIM, HOW DO YOU GET AWAY WITH IT? 1746 01:35:23,685 --> 01:35:25,487 YOU KNOW, WE WERE BORED. 1747 01:35:25,487 --> 01:35:29,424 I NEVER TOOK IT SERIOUSLY UNTIL I WALK INTO THE ROOM 1748 01:35:29,424 --> 01:35:32,160 AND SHE'S LAYING THERE. 1749 01:35:33,228 --> 01:35:35,097 DID YOU MAKE A DEAL WITH THAT BASTARD? 1750 01:35:35,097 --> 01:35:36,965 HE SAYS HE WASN'T THERE WHEN IT WENT DOWN. 1751 01:35:36,965 --> 01:35:38,466 AL, DID YOU MAKE A DEAL? 1752 01:35:38,466 --> 01:35:39,868 I DON'T MAKE DEALS OVER THE PHONE, CASSIE, 1753 01:35:39,868 --> 01:35:41,403 BUT IF WHAT THIS KID SAYS CHECKS OUT, 1754 01:35:41,403 --> 01:35:43,605 AND THAT'S THE ONLY WAY WE CAN CONVICT EITHER ONE OF THEM, 1755 01:35:43,605 --> 01:35:44,672 THEN MAYBE I WILL. 1756 01:35:44,672 --> 01:35:45,874 FINE. THEN LET'S GET WARRANTS 1757 01:35:45,874 --> 01:35:47,209 ON BOTH OF THEM RIGHT NOW. 1758 01:36:16,771 --> 01:36:18,573 Woman: RICHARD, WHERE ARE YOU GOING? 1759 01:36:18,573 --> 01:36:20,909 YOU'RE NOT SUPPOSED TO LEAVE WITHOUT TELLING US. 1760 01:36:20,909 --> 01:36:22,177 IT'S A CONDITION OF-- 1761 01:36:22,177 --> 01:36:25,180 RICHARD. WELL, WILL YOU BE BACK FOR DINNER? 1762 01:36:25,180 --> 01:36:26,982 [SIREN] 1763 01:36:36,524 --> 01:36:37,792 NO, JUSTIN'S NOT HERE. 1764 01:36:37,792 --> 01:36:39,194 HIS MOTHER THOUGHT HE WAS IN HIS ROOM, 1765 01:36:39,194 --> 01:36:40,595 BUT SHE DOESN'T EVEN KNOW WHEN HE LEFT. 1766 01:36:40,595 --> 01:36:42,797 YEAH, SIMILAR STORY HERE. WHAT ABOUT GOLDILOCKS? 1767 01:36:42,797 --> 01:36:44,066 LISA? 1768 01:36:44,066 --> 01:36:45,667 YEAH, LISA. WHY DON'T YOU GET OVER THERE 1769 01:36:45,667 --> 01:36:47,035 AND SEE WHAT SHE KNOWS. 1770 01:36:47,035 --> 01:36:48,670 DETECTIVE, YOU MIGHT WANNA TAKE A LOOK DOWNSTAIRS. 1771 01:36:48,670 --> 01:36:49,905 OK. GOTTA GO. BYE. 1772 01:37:37,552 --> 01:37:41,056 I DIDN'T...I DIDN'T KNOW WHERE ELSE TO GO. 1773 01:37:47,429 --> 01:37:49,998 WILL YOU TELL ME WHAT'S GOING ON? 1774 01:37:49,998 --> 01:37:51,866 THE COPS ARE ASKING ME QUESTIONS 1775 01:37:51,866 --> 01:37:53,268 ABOUT YOU AND RICHARD, 1776 01:37:53,268 --> 01:37:55,070 AND I DON'T KNOW WHAT TO SAY. 1777 01:37:56,638 --> 01:37:58,340 WE KILLED A WOMAN. 1778 01:37:58,340 --> 01:37:59,541 [LAUGHS] 1779 01:37:59,541 --> 01:38:01,109 NO, YOU DIDN'T. 1780 01:38:02,577 --> 01:38:04,412 YES, WE DID. 1781 01:38:10,018 --> 01:38:11,386 JUSTIN... 1782 01:38:15,757 --> 01:38:18,093 HE MADE YOU DO IT. 1783 01:38:18,093 --> 01:38:20,695 IT WASN'T JUST RICHARD. 1784 01:38:20,695 --> 01:38:24,566 BUT HE DROVE IT. IT WAS HIS IDEA. 1785 01:38:24,566 --> 01:38:27,302 YOU WOULD HAVE NEVER DONE ANYTHING LIKE THIS 1786 01:38:27,302 --> 01:38:29,337 BY YOURSELF. 1787 01:38:31,706 --> 01:38:33,675 HE SEDUCED YOU. 1788 01:38:35,777 --> 01:38:37,980 JUST LIKE HE SEDUCED ME. 1789 01:38:40,682 --> 01:38:43,751 YOU KNOW WHAT YOU HAVE TO DO? 1790 01:38:43,751 --> 01:38:45,787 YOU HAVE TO TELL THEM EVERYTHING. 1791 01:38:45,787 --> 01:38:48,156 I WILL. I WILL. 1792 01:38:49,791 --> 01:38:52,094 I DON'T HAVE ANY FEELINGS LEFT. 1793 01:38:53,795 --> 01:38:56,331 EXCEPT FOR YOU. 1794 01:39:14,682 --> 01:39:17,419 [CELL PHONE RINGS] 1795 01:39:17,419 --> 01:39:18,553 IT'S HIM. 1796 01:39:18,553 --> 01:39:20,722 DON'T ANSWER IT. 1797 01:39:23,091 --> 01:39:25,693 Richard: WHERE ARE YOU? 1798 01:39:25,693 --> 01:39:28,596 ARE YOU WITH HER? 1799 01:39:28,596 --> 01:39:30,565 NO. 1800 01:39:30,565 --> 01:39:32,600 YES, YOU ARE. 1801 01:39:32,600 --> 01:39:35,937 AND YOU TOLD HER ABOUT US, DIDN'T YOU? 1802 01:39:35,937 --> 01:39:38,540 DID YOU TELL HER EVERYTHING? 1803 01:39:38,540 --> 01:39:40,108 WHERE ARE YOU? 1804 01:39:40,108 --> 01:39:43,211 I LEFT HOME. 1805 01:39:43,211 --> 01:39:45,813 ALL RIGHT? I--I-- I'M GONE. 1806 01:39:45,813 --> 01:39:48,050 I'M NEVER GOIN' BACK. IT'S OVER. 1807 01:39:48,050 --> 01:39:51,686 I KNOW IT'S OVER. WE HAVE TO TURN OURSELVES IN. 1808 01:39:51,686 --> 01:39:53,688 AND GO TO PRISON? 1809 01:39:53,688 --> 01:39:55,123 AND BE PUNKS 1810 01:39:55,123 --> 01:39:57,959 AND EAT SHIT FOR THE REST OF OUR LIVES? 1811 01:39:57,959 --> 01:40:00,862 DO YOU EVEN REMEMBER WHAT WE TALKED ABOUT? 1812 01:40:00,862 --> 01:40:03,131 YES. 1813 01:40:04,466 --> 01:40:07,302 MEET ME AT THE BLUFF IN AN HOUR. 1814 01:40:07,302 --> 01:40:08,336 OK? 1815 01:40:12,607 --> 01:40:13,775 JUSTIN? 1816 01:40:15,710 --> 01:40:16,744 OK. 1817 01:40:23,585 --> 01:40:26,721 I HAVE TO MEET HIM. 1818 01:40:26,721 --> 01:40:28,656 TO DO WHAT? 1819 01:40:29,991 --> 01:40:32,394 I JUST HAVE TO. 1820 01:40:34,362 --> 01:40:37,099 I WISH I MET YOU FIRST. 1821 01:40:59,621 --> 01:41:01,623 CASSIE MAYWEATHER. 1822 01:41:32,120 --> 01:41:33,555 HEY. 1823 01:41:35,923 --> 01:41:37,659 HAVE A SEAT. 1824 01:41:46,134 --> 01:41:48,536 THIS IS WHAT WE TALKED ABOUT. 1825 01:41:51,339 --> 01:41:53,275 GLORY OR NOTHING. 1826 01:42:08,089 --> 01:42:11,926 SHOULD WE SAY THE WORDS FOR THE LAST TIME? 1827 01:42:11,926 --> 01:42:13,195 ONE CANNOT LIVE FULLY 1828 01:42:13,195 --> 01:42:16,198 WITHOUT EMBRACING SUICIDE AND CRIME. 1829 01:42:19,234 --> 01:42:21,969 SAY IT. 1830 01:42:21,969 --> 01:42:24,439 A PACT MADE WITH RELENTLESS FIRE 1831 01:42:24,439 --> 01:42:27,975 THAT REQUIRES THAT WHILE SOME LIVE... 1832 01:42:27,975 --> 01:42:30,378 OTHERS DIE. 1833 01:42:31,679 --> 01:42:32,847 ON 3. 1834 01:42:44,592 --> 01:42:46,461 1... 1835 01:42:46,461 --> 01:42:48,596 2... 1836 01:42:57,572 --> 01:42:58,640 3. 1837 01:43:14,822 --> 01:43:16,258 HA HA HA HA... 1838 01:43:16,258 --> 01:43:18,293 WHAT ARE YOU DOING? 1839 01:43:18,293 --> 01:43:20,695 WELL, I HAVE THE BULLETS, RIGHT? 1840 01:43:20,695 --> 01:43:22,330 WHAT ABOUT YOU? 1841 01:43:25,767 --> 01:43:27,769 OPEN YOUR CHAMBER. 1842 01:43:29,304 --> 01:43:30,538 JUSTIN-- 1843 01:43:30,538 --> 01:43:32,240 OPEN IT! 1844 01:43:34,709 --> 01:43:37,445 YOU WERE GONNA WATCH ME KILL MYSELF? 1845 01:43:42,584 --> 01:43:45,320 THEY'RE HERE UP AT THE OLD WINTER LODGE. 1846 01:43:45,320 --> 01:43:46,454 Sam: ROGER THAT, CASS. 1847 01:43:46,454 --> 01:43:47,822 THAT'S UP ON HIGHLAND ROAD? 1848 01:43:49,657 --> 01:43:51,058 SO HERE'S WHAT'S GONNA HAPPEN. 1849 01:43:51,058 --> 01:43:54,195 SINCE I HAVE THE BULLETS AND THE GUTS TO USE THEM, 1850 01:43:54,195 --> 01:43:55,530 I'LL SHOOT YOU, 1851 01:43:55,530 --> 01:43:57,732 AND THEN I'LL SHOOT MYSELF, OK? 1852 01:43:57,732 --> 01:43:58,833 NO. NO? 1853 01:43:58,833 --> 01:44:00,001 NO, NO, NO, NO! 1854 01:44:00,001 --> 01:44:02,737 WHY? WOULD YOU RATHER GO TO PRISON AND BE A PUNK? 1855 01:44:02,737 --> 01:44:03,871 HMM? 1856 01:44:08,676 --> 01:44:10,945 OR YOU THINK YOU'D BEAT PRISON 1857 01:44:10,945 --> 01:44:13,748 'CAUSE YOU MADE A DEAL? 1858 01:44:16,050 --> 01:44:18,553 YOU TALKED. YOU TALKED! 1859 01:44:20,322 --> 01:44:21,723 SHOOT ME. 1860 01:44:21,723 --> 01:44:23,725 SHOOT ME. SHOOT ME IN THE HEAD. 1861 01:44:23,725 --> 01:44:26,561 SHOOT ME IN THE HEART, WHATEVER YOU WANT. DO IT. 1862 01:44:26,561 --> 01:44:28,095 IT DOESN'T MATTER ANYMORE. 1863 01:44:28,095 --> 01:44:31,299 PULL THE FUCKING TRIGGER. PULL IT, PULL IT, PULL IT! 1864 01:44:31,299 --> 01:44:32,667 COME ON. 1865 01:44:33,835 --> 01:44:35,870 JUSTIN, DON'T. 1866 01:44:35,870 --> 01:44:37,605 BUT WE HAVE TO PAY FOR WHAT WE DID. 1867 01:44:37,605 --> 01:44:39,541 NOT LIKE THAT. THAT'S JUST MORE KILLING. 1868 01:44:39,541 --> 01:44:41,676 PUT THE GUN DOWN. PUT THE GUN DOWN. 1869 01:44:41,676 --> 01:44:43,411 JUSTIN. 1870 01:44:43,411 --> 01:44:45,813 PUT IT DOWN. 1871 01:44:45,813 --> 01:44:47,515 JUSTIN. 1872 01:44:51,085 --> 01:44:52,887 PLEASE DON'T. 1873 01:44:52,887 --> 01:44:54,589 JUSTIN, JUST FOR ME. 1874 01:44:54,589 --> 01:44:56,558 FOR ME. [DROPS GUN] 1875 01:44:56,558 --> 01:44:58,393 COME OVER HERE NEXT TO ME. COME ON. 1876 01:44:58,393 --> 01:44:59,427 DON'T LISTEN TO HER. 1877 01:44:59,427 --> 01:45:00,862 DON'T LISTEN TO HER. 1878 01:45:04,366 --> 01:45:05,600 NO, DON'T--DON'T-- 1879 01:45:06,934 --> 01:45:08,069 NO! 1880 01:45:16,844 --> 01:45:20,081 STAY PUT. PEOPLE ARE ON THE WAY. 1881 01:45:47,542 --> 01:45:49,777 HEY, RICHARD. 1882 01:45:49,777 --> 01:45:52,380 YEAH, YOU THINK YOU'RE SO SMART, HUH? 1883 01:45:52,380 --> 01:45:54,582 JUSTIN'S SMARTER. YOU REMEMBER THAT. 1884 01:46:26,414 --> 01:46:28,650 I GOT ONE LEFT. HA. 1885 01:46:28,650 --> 01:46:30,952 AW, TO HELL WITH IT. 1886 01:46:30,952 --> 01:46:32,153 [GUNSHOT] 1887 01:46:32,153 --> 01:46:34,155 [THUDDING] 1888 01:47:07,188 --> 01:47:08,189 OH! 1889 01:47:14,195 --> 01:47:15,863 NO! NO! 1890 01:47:15,863 --> 01:47:17,799 OH! AAH! 1891 01:47:40,755 --> 01:47:41,956 HA HA! 1892 01:47:41,956 --> 01:47:43,691 AAH! 1893 01:47:52,466 --> 01:47:53,868 Carl's voice: LISTEN TO ME! 1894 01:47:53,868 --> 01:47:57,639 LISTEN TO ME! YOU ARE NOT GOIN' OUT THAT DOOR, JESS! 1895 01:47:57,639 --> 01:47:59,807 YOU ARE NOT GOIN' OUT THAT DOOR! 1896 01:48:25,867 --> 01:48:27,802 JUSTIN. 1897 01:48:27,802 --> 01:48:29,403 JUSTIN...JUSTIN, PLEASE. 1898 01:48:29,403 --> 01:48:30,404 JUSTIN, PLEASE. 1899 01:48:30,404 --> 01:48:32,206 PLEASE...DON'T. 1900 01:48:32,206 --> 01:48:33,808 JUSTIN, DON'T, JUSTIN! 1901 01:48:41,448 --> 01:48:43,184 JUSTIN...JUSTIN... 1902 01:48:43,184 --> 01:48:44,385 DON'T. JUSTIN, DON'T. 1903 01:48:44,385 --> 01:48:46,253 [WHIMPERING] 1904 01:48:46,253 --> 01:48:48,355 NO, NO, NO, NO. 1905 01:48:48,355 --> 01:48:50,558 DON'T, DON'T, DON'T, DON'T, JUSTIN. 1906 01:48:50,558 --> 01:48:52,159 [WHIMPERING] 1907 01:48:58,800 --> 01:49:01,869 GRAB IT. GRAB IT. 1908 01:49:13,615 --> 01:49:15,549 I GOT IT. 1909 01:49:15,549 --> 01:49:17,619 THANK YOU. THANK YOU. 1910 01:49:22,089 --> 01:49:23,691 OK. OK. 1911 01:49:23,691 --> 01:49:25,627 I'M OK. THANK YOU. 1912 01:49:28,129 --> 01:49:29,797 OK. I'LL GET YOU. 1913 01:49:52,987 --> 01:49:55,356 WHAT'S GONNA HAPPEN TO ME? 1914 01:49:56,724 --> 01:49:59,661 WELL, GIVEN THAT YOU WEREN'T THE ACTUAL KILLER, 1915 01:49:59,661 --> 01:50:03,330 AND WHAT YOU DID DOWN THERE FOR ME...[PANTING] 1916 01:50:03,330 --> 01:50:06,968 DON'T WORRY ABOUT IT. I'LL TAKE CARE OF YOU. 1917 01:50:39,500 --> 01:50:41,969 YOU ALL RIGHT? 1918 01:50:41,969 --> 01:50:43,237 MM-HMM. 1919 01:50:43,237 --> 01:50:44,638 DO ME A FAVOR. 1920 01:50:44,638 --> 01:50:46,640 LEAN IN AND WHISPER SOMETHING INTO MY EAR. 1921 01:50:46,640 --> 01:50:47,742 WHAT? 1922 01:50:47,742 --> 01:50:49,310 JUST...ANYTHING. 1923 01:50:51,512 --> 01:50:52,914 REMEMBER WHAT I SAID 1924 01:50:52,914 --> 01:50:54,782 ABOUT LOOKING FOR DIFFERENT PARTNERS? 1925 01:50:54,782 --> 01:50:56,818 ARE YOU SERIOUS? 1926 01:50:57,785 --> 01:51:00,788 WHERE WAS IT? 1927 01:51:02,523 --> 01:51:04,726 I WANNA TAKE THAT BACK. 1928 01:51:06,794 --> 01:51:08,662 DID THEY FIND THE VIDEOTAPE? 1929 01:51:08,662 --> 01:51:10,331 YES. 1930 01:51:15,302 --> 01:51:16,637 HOW'S HE DOIN'? 1931 01:51:16,637 --> 01:51:18,072 HE LOOKS OK. 1932 01:51:18,072 --> 01:51:20,875 BUT WE'RE GONNA TRANSPORT HIM FOR TREATMENT. 1933 01:51:29,050 --> 01:51:32,720 WHY DID YOU LET RICHARD VIDEOTAPE THE KILLING? 1934 01:51:34,021 --> 01:51:36,023 I MEAN, THAT WAS REALLY STUPID. 1935 01:51:36,023 --> 01:51:38,625 IT'S LIKE YOU GUYS WANTED TO GET CAUGHT. 1936 01:51:38,625 --> 01:51:40,327 WHAT ARE YOU TALKING ABOUT? 1937 01:51:40,327 --> 01:51:42,296 OH, YOU DON'T KNOW? 1938 01:51:42,296 --> 01:51:44,231 MY PARTNER JUST TOLD ME THAT THEY FOUND 1939 01:51:44,231 --> 01:51:46,233 A HIDDEN CAMERA IN RICHARD'S BASEMENT. 1940 01:51:46,233 --> 01:51:48,836 SEEMS THAT'S HOW HE FILMED HIMSELF WITH LISA, 1941 01:51:48,836 --> 01:51:50,905 AND APPARENTLY, HE FILMED THE KILLING, TOO. 1942 01:51:50,905 --> 01:51:53,074 D.A.'S LOOKING AT IT NOW. 1943 01:51:53,074 --> 01:51:55,442 LOOK, WHATEVER'S ON THAT TAPE... 1944 01:51:57,979 --> 01:52:00,782 WHATEVER'S ON THAT TAPE WHAT? 1945 01:52:03,117 --> 01:52:05,452 IS THERE REALLY A TAPE? 1946 01:52:12,927 --> 01:52:14,862 MAYBE I SHOULD TALK TO A LAWYER. 1947 01:52:14,862 --> 01:52:16,463 ABSOLUTELY. TALK TO A LAWYER. 1948 01:52:16,463 --> 01:52:17,731 WAIT A SECOND! WAIT! 1949 01:52:17,731 --> 01:52:19,133 YOU KNOW, I THOUGHT YOU WERE THE ONE 1950 01:52:19,133 --> 01:52:20,401 BEING MANIPULATED BY RICHARD, 1951 01:52:20,401 --> 01:52:22,603 BUT IT WAS THE OTHER WAY AROUND, WASN'T IT? 1952 01:52:22,603 --> 01:52:23,704 NO! 1953 01:52:23,704 --> 01:52:25,572 DO YOU SEE THESE MARKS ON MY NECK? 1954 01:52:25,572 --> 01:52:26,874 THEY'RE FROM RICHARD'S RING 1955 01:52:26,874 --> 01:52:28,209 WHEN HE TRIED TO STRANGLE ME. 1956 01:52:28,209 --> 01:52:31,278 THERE ARE NONE OF THESE MARKS ON OLIVIA'S NECK. 1957 01:52:31,278 --> 01:52:33,314 LOOK, RICHARD, COULD HAVE TAKEN OFF THAT RING 1958 01:52:33,314 --> 01:52:36,417 AT ANY POINT TO MAKE IT LOOK LIKE RAY DID IT. 1959 01:52:36,417 --> 01:52:38,786 THE RING HAS NOTHING TO DO WITH IT, JUSTIN. 1960 01:52:38,786 --> 01:52:41,322 YOU BETTER TELL ME RIGHT NOW WHAT HAPPENED... 1961 01:52:41,322 --> 01:52:42,489 I AM! 1962 01:52:42,489 --> 01:52:44,859 AND I'LL DO MY BEST TO GET YOU TRIED AS A JUVENILE. 1963 01:52:48,495 --> 01:52:50,231 YOU HAVE TO BELIEVE ME. 1964 01:52:50,231 --> 01:52:53,034 WHEN I WENT OVER THERE, I HAD NO IDEA. 1965 01:52:53,034 --> 01:52:55,469 I NEVER THOUGHT I'D... 1966 01:52:58,372 --> 01:53:01,809 [MUFFLED PLEAS] 1967 01:53:03,510 --> 01:53:04,912 OH, GOD. 1968 01:53:11,986 --> 01:53:14,788 [WOMAN STRUGGLING] 1969 01:53:14,788 --> 01:53:17,224 ARE YOU GONNA DO IT OR WHAT? 1970 01:53:20,727 --> 01:53:23,330 I--I CAN'T. 1971 01:53:26,233 --> 01:53:27,668 FUCK! 1972 01:53:27,668 --> 01:53:29,536 [WOMAN SOBBING] 1973 01:53:31,138 --> 01:53:33,207 SO, WHAT, I HAVE TO DO IT? 1974 01:53:33,207 --> 01:53:34,909 YOU DON'T DO ANYTHING. 1975 01:53:34,909 --> 01:53:36,677 YOU HAVE IDEAS. THAT'S IT! 1976 01:53:36,677 --> 01:53:39,213 YOU'RE SO FULL OF SHIT, TOO. 1977 01:53:39,213 --> 01:53:42,216 YOU'RE ALWAYS TELLING ME THAT... 1978 01:53:42,216 --> 01:53:45,619 CRIME'S NOT AN IDEA, RICHARD, IT'S AN ACT. 1979 01:53:45,619 --> 01:53:49,290 ANYBODY CAN THINK IT. ONLY FREE MEN CAN DO IT. 1980 01:53:51,692 --> 01:53:53,594 I'M FREE. 1981 01:53:57,698 --> 01:54:01,435 [MUFFLED PLEADING] 1982 01:54:01,435 --> 01:54:03,437 GIVE ME THE GLOVES. 1983 01:54:08,475 --> 01:54:10,177 GIVE THEM TO ME. 1984 01:54:15,582 --> 01:54:17,318 THANK YOU. 1985 01:54:18,319 --> 01:54:21,923 [MUFFLED PLEAS] 1986 01:54:41,375 --> 01:54:43,477 I HAD TO SHOW HIM. 1987 01:54:45,679 --> 01:54:48,615 I COULD HAVE LET YOU DIE UP THERE, BUT I DIDN'T. 1988 01:54:48,615 --> 01:54:49,951 I DIDN'T DO THAT. THANK YOU. 1989 01:54:49,951 --> 01:54:52,786 PLEASE, I JUST WANT A CHANCE. 1990 01:54:52,786 --> 01:54:54,888 I WANT TO START OVER. 1991 01:54:54,888 --> 01:54:56,423 I WANT TO START-- 1992 01:54:56,423 --> 01:54:58,892 DOESN'T WORK THAT WAY, JUSTIN. 1993 01:54:58,892 --> 01:55:00,894 YOU GET ONE LIFE. 1994 01:55:00,894 --> 01:55:02,896 AND WHATEVER YOU DO WITH IT 1995 01:55:02,896 --> 01:55:04,765 AND WHATEVER'S DONE TO YOU, 1996 01:55:04,765 --> 01:55:06,900 YOU GOTTA FACE THAT. 1997 01:55:06,900 --> 01:55:09,370 YOU CAN'T PRETEND IT DIDN'T HAPPEN. 1998 01:55:22,249 --> 01:55:24,618 Clerk: JESSICA MARIE HUDSON? 1999 01:55:26,853 --> 01:55:29,456 JESSICA MARIE HUDSON... 2000 01:55:29,456 --> 01:55:33,094 FOR THE CARL HUDSON PAROLE HEARING. 2001 01:55:34,228 --> 01:55:37,331 JESSICA MARIE HUDSON. 2002 01:55:39,000 --> 01:55:41,002 THAT'S ME. 2003 01:55:50,377 --> 01:55:53,347 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2004 01:55:53,347 --> 01:55:56,550 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--